by Daniel Hathaway
In 1858, a French government critic described Offenbach’s first two-act operetta, Orpheus in the Underworld, as “a profanation of holy and glorious antiquity.” But instead of reacting to its “blasphemy and lascivious goings on” with shock and horror, Parisians flocked to see the show, which ran for a then-record of 288 performances.
Ohio Light Opera shows why in the production I saw — cleverly staged by Steven Daigle, brightly conducted by Michael Borowitz, and colorfully designed by Daniel Hobbs — in its opening performance at Freedlander Theatre at the College of Wooster on July 13. Satire can scarcely ever be overdone, and the opportunity to skewer society’s sacred cows — or its gods — opens many doors wide.
