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CIM Opera Theater: Hänsel and Gretel a conversation with JJ Hudson

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By Mike Telin

The first volume of children’s tales published in Germany by the Brothers Grimm in 1812 includes some of today’s most beloved stories — Cinderella, Snow White, Rapunzel, and Rumpelstiltskin. That volume also includes the tale of Hänsel and Gretel in which two children cleverly outwit a witch.

On Friday, March 27 at 7:00 pm and Sunday, March 29 at 3:00 pm, Engelbert Humperdinck’s opera, based on the Brothers Grimm fairy tale, returns to the Kulas Hall stage at the Cleveland Institute of Music in performances by CIM Opera Theatre. JJ Hudson directs and Harry Davidson conducts the CIM Orchestra The production, which has a running time of two hours and twenty minutes with one intermission, will be sung in German with English supertitles. Tickets are available online.

I caught up with JJ Hudson by telephone and began our conversation by asking why they chose this particular title for the spring opera.

JJ: This year we will have produced two operas based on fairytales — Judith Weir’s Blonde Eckbert in late January and now Hänsel and Gretel. Both introduce our students to early German romanticism and its themes: mystery in the forest, witches, birds that speak, and otherworldly things.

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CIM Opera’s engaging Puccini double bill prompts both laughs and tears (Nov. 7)

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by Stephanie Manning

The three one-act operas that make up Giacomo Puccini’s Il trittico (The Triptych) are typically connected by theme, rather than location. Although the trio of works take place in 13th-century Paris, 17th-century Siena, and 20th-century Florence respectively, they all deal with keeping someone’s death a secret — whether tragically or comedically.

CIM Opera Theater’s recent production of two-thirds of the triptych brought the action into one particular place and time, as director Dean Southern moved both Suor Angelica and Gianni Schicchi into 1918’s New York City. What stood out more, however, were the impressive performances from across the large cast, which I heard on November 7 in Kulas Hall.

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CIM Opera Theater presents Suor Angelica & Gianni Schicchi

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by Mike Telin

When Giacomo Puccini composed the three one-act operas that make up Il trittico (The Triptych), he intended for them to be presented as a set. But not long after the work was premiered at the Metropolitan Opera on December 14, 1918, the composer’s publisher began to receive requests for them to be performed separately. Nowadays, it is common for one or two of the operas to be presented in an evening.

On Friday, November 7 at 7:30 pm and Sunday November 9 at 3:00 pm in Kulas Hall, CIM Opera Theater will present Puccini’s Suor Angelica and Gianni Schicchi. Dean Southern directs and Harry Davidson leads the CIM Orchestra. Tickets are available online.

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CIM Opera Theater: Don Giovanni (Apr. 23)

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by Peter Feher

It’s hard not to be enamored with Don Giovanni, Mozart’s supreme realization of passion, danger, and desire in music. And CIM Opera Theater made falling in love with this 1787 masterpiece the most natural thing thanks to a splendid production at Playhouse Square last week.

Taking the stage of the Mimi Ohio Theatre on Wednesday, April 23, for the first of two performances, the largely student cast seemed to be discovering the drama afresh. The story of the cad and lecher Don Juan has been told countless times, but the Italianate version that Mozart crafted with librettist Lorenzo Da Ponte remains the most viscerally immediate, even centuries later.

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CIM Opera Theater presents Don Giovanni (Part 2)

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by Mike Telin

On April 23 and 25 at 7:00 pm in Playhouse Square’s Mimi Ohio Theatre, CIM Opera Theatre will present Mozart’s masterpiece Don Giovanni. The show is directed by JJ Hudson and conducted by Harry Davidson. Tickets are available online.

In this article, Hudson introduces CIM alum Brian Myer, who will sing the title role, and Andrew Hiers, who plays the Commendatore. We also hear from cast members Kiana Lilly (Donna Anna) and Caroline Friend (Zerlina).

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CIM Opera Theater presents Don Giovanni

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by Mike Telin

“He is like the great seducer — Don Juan — and there is cosmic revenge taken on him. But he does his best to ruin many lives in the process.” This is how JJ Hudson, interim artistic director of CIM Opera Theater, described the title character of Mozart’s opera Don Giovanni.

On April 23 and 25 at 7:00 pm in Playhouse Square’s Mimi Ohio Theatre, CIM Opera Theatre will present Mozart’s masterpiece. The show is directed by Hudson and conducted by Harry Davidson. Tickets are available online.

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CIM Opera Theater: Direct from the Headlines — Nico Muhly’s Dark Sisters

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by Mike Telin

Due to unforeseen circumstances, the CIM Opera Theater’s performances of  Nico Muhly’s Dark Sisters on February 1 and 2, 2025, at the Cleveland Museum of Art have been canceled. Refunds are being issued to all ticket holders.

“As an artistic and stage director who enjoys telling stories, this is a very compelling work and something that our students can sink their dramatic teeth into. It’s also a piece that audiences can get lost in, and ask questions about as the story goes along.”

That’s how CIM Opera Theater’s interim artistic director JJ Hudson characterized Nico Muhly’s Dark Sisters in a telephone interview. In his synopsis, the composer notes that the 2009 work — his first opera — follows one woman’s dangerous attempt to escape her life as a member of the FLDS Church (Fundamentalist Latter Day Saints), a sect that split from mainstream Mormonism in the early 20th Century, largely because of the LDS Church’s renunciation of polygamy. [Read more…]

CIM Opera: all smiles in L’Étoile (Nov. 17)

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by Stephanie Manning

A black box theater might not be the first-choice location for an opera — but with a clever creative team, a smaller production can still get big results. Audiences at the Westfield Studio Theater on November 17 know this firsthand thanks to the Cleveland Institute of Music Opera Theater’s scaled-down L’Étoile, which came wrapped in a bundle of laughs and topped with a ribbon of genuine heart.

It’s true that the Playhouse Square venue — the CIM company’s temporary home while their primary hall is under construction — wasn’t ideal. Interrupted sightlines, occasional volume disparities, and the lack of a proper curtain simply had to be par for the course. But artistic director JJ Hudson’s choice of a comedic opera, especially one that relies on spoken dialogue and physical comedy as heavily as this one by Emmanuel Chabrier, was the perfect decision. [Read more…]

CIM Opera Theater to stage Emmanuel Chabrier’s L’étoile

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by Mike Telin

“It’s an incredibly charming work and unabashedly silly,” stage director JJ Hudson said about CIM’s forthcoming production of Emmanuel Chabrier’s L’étoile. “There’s so much vitality and it’s full of great, catchy melodies.”

On Saturday, November 16 at 7:00 pm, CIM Opera Theater will present Chabrier’s comic opera at Westfield Studio Theatre in Playhouse Square, sung in French with English dialogue. Harry Davidson conducts the CIM Orchestra. The production will be repeated on Sunday at 3:00 pm. Tickets are available online.

Unabashedly silly? Here’s what happens. [Read more…]

CIM Opera Theater: Glory Denied at the Cleveland Museum of Art (Jan. 27)

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by Sicily Xiao

Based on the book by Tom Philpott, Tom Cipullo’s  two-act, 80-minute chamber opera Glory Denied tells the true story of Jim Thompson, the longest-held prisoner of war in U.S. military history, as he tries to re-assimilate into American life after spending nine years behind enemy lines in Vietnam.

What keeps Jim going is his loyalty to his country and the memory of his beloved wife, Alyce, and their children. At the same time, without any message from her husband, Alyce needs to find a new life for herself and her children, eventually moving to Massachusetts with another man.

After Colonel Thompson was released, his status as the longest-held POW was ignored, costing him the acclaim he deserved. When he finally returns to the United States, he is faced with the reality that the country has changed during his years of imprisonment in ways that are too much for him to adapt to.

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