CMA at Transformer Station Archives - Page 2 of 2

Review: CMA at Transformer Station — Miya Masaoka (February 16)

February 21, 2014 by Special to ClevelandClassical.com

by Mike Telin

Before the advent of electronic tuning devices there were tuning forks and musicians usually carried at least one in their instrument cases to use to set a pitch standard. Tuning forks also provide entertainment for people of all ages who want to experiment with sound vibrations: strike the fork and place the end on a table and hear how the sound changes when placed on a chair or on the floor.

And this a how musician, composer and performance artist Miya Masaoka began her CMA at Transformer Station series Concert on Sunday, February 16. For roughly 50 minutes, Masaoka presented three thoroughly engaging, extended improvisations featuring koto, electronics, lasers and tuning forks.

To be accurate, Masaoka used two differently-sized tuning forks as she methodically placed the forks on different surfaces, the sound altering ever so slightly with each placement. [Read more…]

CMA at Transformer Station — koto pioneer Miya Masaoka

February 11, 2014 by Special to ClevelandClassical.com

by Mike Telin

It’s difficult to know where to begin a conversation with Miya Masaoka. It isn’t because there is a shortage of interesting topics to discuss. On the contrary, Masaoka has built a fascinating career that combines Western experimental improvisation with the tradition of her instrument of choice, the koto.

Since founding the San Francisco Gagaku Society, Masaoka has introduced new ways of thinking about and performing on the koto which include improvisation and expanding the instrument through the use of computers, lasers, live sampling, and real time processing. As a composer, Masaoka’s compositions often include the sound and movement of insects, as well as the physiological responses of plants, the human brain, and her own body.

On Sunday, February 16 beginning at 7:30 pm, you can hear Miya Masaoka in performance as part of the CMA Concerts at Transformer Station series. [Read more…]

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Oberlin Opera stages a Cendrillon of professional quality (Nov. 10)

by Daniel Hathaway

Any regional opera company would be popping its buttons with pride to have produced such an impressive performance of Jules Massenet’s Cendrillion (Cinderella) as Oberlin Opera did in Hall Auditorium on Sunday afternoon, November 10.

Imaginative staging by Stephanie Havey, skillful pacing by conductor James Feddeck, beautiful set design and costuming by Laura Carlson-Tarantowski and Chris Flaharty, respectively, plus dramatic and — for the fairies — enchanting lighting by Jeremy K. Benjamin provided a supportive environment for splendid singing by the cast and brilliant playing by the Oberlin Chamber Orchestra.

Literally thousands of versions of the Cinderella tale exist in cultures around the globe, but many of the details of Massenet’s opera date back to Charles Perrault’s 1697 Cendrillon ou la petite pantoufle de verre, which adds what have now become essential elements to the tale: a young girl mistreated by her stepmother and stepsisters, who temporarily attracts the attention of a handsome prince at a royal ball and is eventually reunited with him to become a princess herself. [Read on…]

Seraph Brass dances through musical travels in Rocky River (Nov. 11)

by Stephanie Manning

Before Seraph Brass arrived in Ohio on November 11, the group’s fall touring season had taken them on the road to Missouri, Florida, New York, and even Peru. And at the Rocky River Chamber Music Society, they gave the audience a taste of the traveling life right from the first piece.

The “Prelude” from Edvard Greig’s Holberg Suite whisked listeners away to Norway, with a melody surely familiar to many. It was extra familiar to the brass quintet themselves, who launched into their opening number without sheet music. Playing memorized is part of the group’s trademark, and they smoothly alternated using music and no music throughout the evening. Either way, the wide-ranging program had those at West Shore Unitarian Universalist Church spellbound.

Trumpet players Mary Elizabeth Bowden and Raquel Samayoa, horn player Layan Atieh, trombonist Lauren Casey-Clyde, and tuba player Robyn Black sounded equally comfortable in Romantic and contemporary repertoire, flipping between both with practiced ease. [Read on…]

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