by Robert Rollin

His program concentrated on the genre of piano fantasy and fantasia, and featured works by Mozart and Schumann. This was a clever choice because both composers are noted for their ability to string many themes together in a manner that makes their pieces seem structured and beautifully organized.
Fantasiestücke, Op. 12, typifies Schumann’s ability to write character piece sets with extra-musical connections. The eight movements seemed more intricate and complex than most. Gortler played the relatively slow Evening, the first piece, with a gorgeous singing tone that made the oddly-grouped cross rhythms stand out. He also stressed dovetailed soprano and bass lines when appropriate, expressing the essence of Schumann’s rather limited dynamic markings. [Read more…]



