David Cote Archives - Cleveland Classical

Cleveland Opera Theater launches {New Opera Works} Festival

January 23, 2017 by Mike Telin

by Mike Telin

The presentation of new and recently composed operas has been part of Cleveland Opera Theater’s mission since it was founded in 2006. Beginning on Friday, January 20, the company will launch its first festival dedicated to new opera works.

Scott Skiba, executive artistic director of COT, said that this year’s {New Opera Works} Festival features works that are in the beginning, middle, and ending stages of development. “Federico García Lorca’s final play, The House of Bernarda Alba, is in the initial stages of being adapted into an opera, and there will be a reading of the English translation by Lorca scholar Caridad Svich,” Skiba said during a recent interview.

Representing the middle period of development will be a preview of Scene Three from composer Nkeiru Okoye’s and librettist David Cote’s new opera We’ve Got Our Eye on You. “This will be a teaser of the complete opera, which will be presented during next year’s {NOW} Festival,” Skiba said. A recently completed work at the Festival will be Amelia Lost, a new opera by Larry Delinger and Brad Carroll which had its world premiere in Knoxville back in 2014 (pictured above). [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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