by Robert Rollin

Shostakovich wrote this humorous and witty piece at age twenty-seven, premiering the piano part himself, accompanied by the Leningrad Philharmonic Orchestra. The Concerto precipitated the composer’s first difficulties with Stalin that were to trouble him for many years, though the piece’s tongue-in-cheek character, similar to that of his Tahiti Trot, composed four years earlier, makes Stalin’s distaste all the more incomprehensible.
Chang’s alert and intense performance of the opening Allegretto fairly sparkled and seemed to sweep up the orchestra in her wake. [Read more…]


