by Stephanie Manning

CLEVELAND, Ohio — Edward Elgar’s first symphony was a long time coming. But once the British composer finally put pen to paper at age 51, audiences at the time simply couldn’t get enough. But tastes change, and that rapturous response in 1908 couldn’t guarantee eternal success. The piece has now settled into relative obscurity for many American orchestras.
Today, Britain is still the most likely place to hear Elgar’s Symphony No. 1 — so it made sense that The Cleveland Orchestra’s performance on April 24 should be led by the conductor of a British ensemble. City of Birmingham Symphony Orchestra music director Kazuki Yamada ascended the Severance Music Center podium, making his assured and elegant Cleveland Orchestra debut.
Elgar’s symphony is unconcerned with quaint, pastoral English scenes — instead, it’s often stormy, celebratory, and in-your-face, sometimes all at once. On Thursday, Yamada confirmed his reputation for passion and expressivity as a conductor in his interpretation of the symphony.




The crowd was out in force at Blossom Music Center on Saturday evening, August 3, likely due to more moderate temperatures than in recent weeks, lower humidity, and a cloudless sky. The Cleveland Orchestra’s attractive program was added incentive, with Andrey Boreyko as guest conductor, and Swiss-Italian pianist Francesco Piemontesi as soloist in Beethoven’s
Last Sunday evening was meant to mark the historic return of the 90-year-old, Polish-born conductor Stanislaw Skrowaczewski to Blossom after a hiatus of thirty-two years. It was historic alright, but for another reason. Skrowaczewski, who first conducted The Cleveland Orchestra in 1958 at George Szell’s invitation, was sidelined by an illness and assistant conductor Brett Mitchell was tapped late in the week to replace him. Mitchell did himself proud leading scores by Weber, Mozart and Shostakovich on a night that will no doubt be inscribed in the annals of Assistant Conductors’ Big Opportunities.