by Peter Feher

Taking the stage of the Mimi Ohio Theatre on Wednesday, April 23, for the first of two performances, the largely student cast seemed to be discovering the drama afresh. The story of the cad and lecher Don Juan has been told countless times, but the Italianate version that Mozart crafted with librettist Lorenzo Da Ponte remains the most viscerally immediate, even centuries later.








“Fantasy and opera go hand-in-hand really well,” CIM Opera Theater interim director JJ Hudson said during a telephone call. And when it comes to fantasy, the Cleveland Institute of Music’s upcoming production of George Frederick Handel’s Alcina is all about fantasy. “We’re not downplaying the various reversals of fortune via magic — that’s part of the fun, and we want this show to be fun,” says Hudson.
Francis Poulenc’s Dialogues of the Carmelites recounts a fictionalized version of the real-life story of the Martyrs of Compiègne, a group of Carmelite nuns who, during the closing days of the Reign of Terror, were guillotined in Paris for refusing to renounce their vocation.