Jon Anderson Archives - Cleveland Classical

Contemporary Youth Orchestra, Part 3: A conversation with composer Stefan Podell

December 3, 2014 by Daniel Hathaway

by Mike Telin

We continue our preview of the Contemporary Youth Orchestra’s concert on Sunday, December 7 at 7:00 pm in Waetjen Auditorium at Cleveland State University, with a conversation with Stefan Podell, whose Concerto for Two Violas and Orchestra, will receive its premiere that evening with Lynne Ramsey and Jeffrey Irvine as soloists.

Stefan Podell has been arranging music for CYO since 2009. He has created works for artists such as Jon Anderson of YES, Jefferson Starship, Evelyn Glennie, and Sean Beasson. As a songwriter and musician, he has won awards from the likes of Billboard Magazine and VH-1. He has shared the stage with performers such as Cheap Trick, Barenaked Ladies, and Dishwalla. The Concerto for Two Violas is Podell’s second CYO concerto commission: his Concerto for Double Bass and Orchestra was premiered by CYO and Cleveland Orchestra Principal Bass Maximilian Dimoff in the fall of 2012.

Stefan and I got together for lunch following Saturday’s CYO rehearsal. We talked about the important role CYO has played in the development of his career and how the music of Jon Anderson and the band YES helped inspire him to pursue classical music. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

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