by Daniel Hathaway
Images of water linked the three works on Thursday evening’s Cleveland Orchestra program at Severance Hall: destructive water in Toshio Hosokawa’s Meditation (To the Victims of Tsunami 3.11); the water of memory and lament in the central song in Hector Berlioz’s Les Nuits d’été; and the magical waters of the Rhine River in Robert Schumann’s third symphony. [Read more…]