by Kevin McLaughlin

In each of the twelve movements Richter brings Vivaldi in and out of focus by isolating and repeating melodic fragments against an attenuated accompaniment. In the slow movements more of the melody is preserved — the Largo in “Winter” for example — but the original harmonic framework is altered. [Read more…]





Most clarinetists are no strangers to playing on all the different varieties of their instrument. But using three of them over the course of just one piece? That’s a little more unusual.