by Kevin McLaughlin
By the end of violinist Laura Hamilton’s and CityMusic Cleveland’s convincing performance of Max Richter’s Four Seasons Recomposed (after A. Vivaldi) on Saturday, March 16 at the Shrine Church of St. Stanislaus, you had the uncanny feeling that what you were hearing was not so much a new piece but an old piece in a dream.
In each of the twelve movements Richter brings Vivaldi in and out of focus by isolating and repeating melodic fragments against an attenuated accompaniment. In the slow movements more of the melody is preserved — the Largo in “Winter” for example — but the original harmonic framework is altered. [Read more…]