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CityMusic Cleveland schedules hybrid chamber music concerts

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by Daniel Hathaway

Pivoting from its customary chamber orchestra concerts, last September CityMusic Cleveland announced a series of chamber music programs curated by members of the ensemble celebrating the centenary of the 19th Amendment to the U.S. Constitution, which decreed that “The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex.”

Initially offered as live, in-person events for a reduced audience of 100 at the Shrine Church of St. Stanislaus, the series went online after the first two programs due to the progress of the pandemic. Subsequent concerts have been streamed from the Maltz Performing Arts Center.

Beginning this week, CityMusic will present pairs of performances — one in-person concert at St. Stan’s, followed by a second performance of the same program streamed from the Maltz.

Executive director Eugenia Strauss noted in a press release that the chamber music format will be continued in 2021-2022, when seven groups will be invited to build programs around the themes of peace, equality, and justice, drawing largely on works by female composers and including commissioned pieces. “We hope to return to present orchestral programs in the 22-23 season,” Strauss wrote. [Read more…]

CityMusic Cleveland:
“Baroque Reflections” (Dec. 6)

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by Jarrett Hoffman

On December 6, CityMusic Cleveland continued its season-long chamber series celebrating 100 years of the 19th amendment with “Baroque Reflections,” streamed live from the Maltz Performing Arts Center.

Here are the numbers: seven masked performers (including several period-instrumentalists and, notably for these times, a soprano) alternated through multiple configurations from duo to sextet as they explored music by eight composers of the 17th and 18th centuries.

[Read more…]

CityMusic Cleveland:
Pantheon Ensemble (Nov. 8)

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by Jarrett Hoffman

In 2020, our minds have all been occupied by crucial issues of the now: the pandemic, the movement for racial justice, the election. Because of that, one important anniversary has flown a little bit under the radar: the centennial of the 19th amendment, ratified on August 18, 1920, which gave American women the right to vote.

CityMusic Cleveland is celebrating that milestone with this season’s Chamber Music Series, which continued on November 7 and 8 with a performance by six women of the Pantheon Ensemble, made up of CityMusic players and friends. I heard the concert on November 8, a live stream from the Maltz Performing Arts Center.

[Read more…]

A guide to staying home and streaming videos of concerts

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by Jarrett Hoffman

Live streams, re-broadcasts, digital archives, and YouTube channels — here are some videos of performances to keep you occupied during social distancing.

Beginning locally, some performances are still taking place via live stream, without an audience. On Thursday, March 19 at 4:30 pm, Oberlin Conservatory will stream a faculty and guest concert from Stull Recital Hall. Flutist Alexa Still, cellist Mihai Tetel, and pianist Evan Hines come together in Heitor Villa-Lobos’ Assobio a Játo (“Jet Whistle”) and Valerie Coleman’s 2019 Amazonia.

Piano Cleveland, the presenting organization of the Cleveland International Piano Competition, has announced a new weekly series called The Quarantine Concerts, to be streamed every Thursday at 7:30 pm from Steinway Piano Gallery Cleveland. The first concert, on March 19, will feature pianist Yaron Kohlberg as well as the piano duo of Natsumi Shibagaki and Irwin Shung. Online audience members have the opportunity to offer their support directly to these artists by donating to Piano Cleveland’s Musicians’ Fund.

[Read more…]

CityMusic Cleveland to premiere John Clayton’s Home

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by Mike Telin

When Antonín Dvořák arrived in New York City in 1892 to become director of the National Conservatory of Music, one of his primary objectives was to discover the music of African Americans and Native Americans in hope that through the musical styles of these cultures, America would find its own musical identity. Fortunately for Dvořák, this task was realized by the guidance and friendship of his young African American assistant from Erie, Pennsylvania, Henry T. Burleigh.

From Wednesday, March 11 through Saturday, March 14, CityMusic Cleveland will pay homage to this convergence of the two men’s musical lives with performances of Dvořák’s “New World” Symphony. Under the direction of music director Amit Peled, the program also includes the world premiere of Home by jazz bassist and composer John Clayton. The new work is a musical commentary on the current social-political struggles that African Americans are facing.

Clayton will be joined in performance by jazz trumpeter Dominick Farinacci, gospel singer Detrich Burgess, spoken word artist Orlando Watson, and The Spirit of the Groove ensemble. The concerts are free. See our Concert Listings for times and locations. [Read more…]

CityMusic chamber music at Praxis Workshop (Jan. 24)

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by David Kulma

CityMusic Cleveland is best known for the free orchestra concerts it gives all over the Cleveland area, often in large churches and synagogues. But another feature of this group’s programming is its chamber music series at Praxis Fiber Workshop in Collinwood. This cosy art space was perfect for the concert I heard on Friday, January 24. People filled the room, and the music enveloped the space for an immersive experience. I highly recommend trying to get a seat in the quasi-alcove off to the side.

[Read more…]

CityMusic Cleveland at Lakewood Congregational (Dec. 13)

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by Nicholas Stevens

Mass media can make it feel as though the true color of the holiday season is a uniform Federal Reserve-issue sage, barely veiled by the colors of different proud traditions. The same ten songs blare in every grocery aisle. Yet on the ground, people find ways to wring something vital and unique out of a month when every icon of cheer feels somehow recycled. CityMusic Cleveland, prone to giving end-of-year concerts packed with music that knows no season, has found a way to reconcile seasonality with a respite. [Read more…]

Stefan Willich returns to CityMusic
for December cycle of concerts

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by Daniel Hathaway

German conductor Stefan Willich, founder of the World Doctors Orchestra, got to know Ronald and Eugenia Strauss, founders of CityMusic Cleveland, in 2011 and they immediately hit it off. “They told me about their orchestra in Cleveland, and after lots of mutual admiration, we decided to do something together.” As a result, Willich was invited to Cleveland to lead a set of concerts. “It’s been great,” Willich said in a telephone conversation from Berlin. “I love the musicians and I love the audiences, so ever since, I’ve been back regularly to Cleveland for the December concerts.”

This time around, Willich’s program is called “Fire and Ice,” and will be presented in four different venues around town between December 12 and 15. “It’s a nice blend of pieces. Some are fiery, like Haydn’s Symphony No. 49 and de Falla’s Ritual Fire Dance, and some have a wintry atmosphere, like Suk’s Meditation on St. Wenceslas, Corelli’s Christmas Concerto, and Mozart’s Sleigh Ride.”

Willich likes CityMusic’s peripatetic habit of repeating programs several times around the region. “The venues are so different, and there’s always something new to tease out in the music. There’s a lot of attraction in repeating repertoire — George Szell was famous for doing that with The Cleveland Orchestra — and different audiences react differently. I like that.” [Read more…]

CityMusic Cleveland in Lakewood (Oct. 20)

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by Peter Feher

Max Bruch’s Kol Nidre is a piece that’s both oversold and undersold. It’s a favorite of cello superstars, student concerto competitions, and classical compilation CDs. Conductor and cellist Amit Peled made the intriguing decision to place the work on his debut program as CityMusic Cleveland’s new music director. In a memorable performance, he made a redemptive case for the music itself. [Read more…]

CityMusic Cleveland:
a conversation with the
new music director, Amit Peled

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by Jarrett Hoffman 

All it took was one visit.

“Last time I was in Cleveland, what was really special for me was the deep connection I had with the orchestra right away,” cellist and conductor Amit Peled said during a telephone interview.

On that trip this past May, he joined CityMusic Cleveland as soloist in Saint-Saëns’ Cello Concerto No. 1, and the relationship he felt wasn’t that of soloist and accompanists. “It was really music-making in an equal way,” he said. “That’s what I liked about the orchestra from the time we spent together, and that’s what I want to preserve. I think we both felt a connection, and that’s why it resulted in this relationship.”

In July, it was announced that Peled would be the next music director of CityMusic, while his predecessor Avner Dorman has stepped into the role of music director emeritus. Peled will begin his first season — the ensemble’s 16th — by leading the orchestra in free performances October 17-20 in Beachwood, Willoughby Hills, Slavic Village, and Lakewood (details below).

[Read more…]

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