Layan Atieh Archives - Cleveland Classical

Seraph Brass visits Rocky River with their newest member

November 5, 2024 by Stephanie Manning

by Stephanie Manning

Seraph Brass welcomed Layan Atieh as their newest core member two months ago — but it may as well have been a lifetime. “I feel like I’ve known them forever,” Atieh said about her new colleagues in a recent interview. “We spend so much time together, I feel like I know everything about them.”

2024 has been quite the busy year for the French horn player, who graduated from the Cleveland Institute of Music shortly before winning her audition to be part of the all-female brass quintet. She also recently moved to Chicago to take up a position with the Civic Orchestra there.

But Atieh can’t stay away from Northeast Ohio for too long — and on Monday, November 11 at 7:30 pm, she’ll perform with Seraph Brass for the Rocky River Chamber Music Society. This free concert will take place at West Shore Unitarian Universalist Church. More information and the livestream link are available here. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

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