by Nicholas Stevens
The average classical musician’s biography is a thinly veiled list of names. A performer’s teachers, schools, venues, festivals, grants, and roles may impress when dressed up in prose, but they sit side by side haloed by auras of significance, like hieroglyphs. How refreshing, then, to read a bio that sums up the appeal of a group in plain terms by the third sentence: “Since its inception, the ensemble has been defined by its unique sound, appealing as much through the personality of each timbre as it does through the color and the uniformity of the voices.” This honesty in advertising is hardly the only thing for which Northeast Ohioans can thank Vox Luminis, the Baroque-focused vocal ensemble who performed in Cleveland last week.
Up and down the streets of Cleveland Friday night wandered the usual Halloween goblins and ghouls, but inside the Cathedral of St. John the Evangelist were spirits of a more heavenly persuasion. Vox Luminis, a young Belgian choir specializing in early music, presented a beautifully crafted program that was at once passionate and serene.