by Daniel Hathaway

“It looks like the Poulenc may be a Cleveland premiere,” Friscioni told us in a telephone conversation. “The orchestra checked everywhere and there’s no record of another performance.” Underscoring the work’s relative obscurity, the soloist herself wasn’t familiar with it before McCoy suggested it to her. “He saw that my husband Antonio Pompa-Baldi and I had played the two-piano concerto, and Mark and I both love Poulenc. It’s good to learn something new and fresh.” [Read more…]



