by Daniel Hathaway

The concert began on a somber note with John Rutter’s De Profundis from the Requiem. Rutter can channel a number of different romantic composers, and on this occasion, Herbert Howells came to mind more than once in the movement’s quietly ecstatic choral lines. Good Company sang them expressively with fine blend and balance. Cellist Linda Atherton contributed a grippingly resonant cello solo. [Read more…]



