Matthias Ziegler Archives - Cleveland Classical

Flutist Matthias Ziegler at Transformer Station (Mar. 12)

March 23, 2015 by Daniel Hathaway

by Jane Berkner

An inspiring moment in our travels prompts many of us to write in our journals, or for the more ambitious, to create a travelogue. For Swiss flutist Matthias Ziegler, it resulted in the reinventing of his flute, enabling him to perform the sounds that he heard on an exotic instrument in a foreign place. His brainchildren were on display in a concert of original works at Transformer Station on Thursday, March 12 as part of the Cleveland Museum of Art’s Performing Arts Series. [Read more…]

Flutist Matthias Ziegler to perform at Transformer Station March 19

March 17, 2015 by Daniel Hathaway

by Mike Telin

Although Matthias Ziegler plays principal flute for the Zürich Chamber Orchestra, the versatile musician has earned worldwide attention for his “solo polyphonic” concerts on flute and his electroacoustically amplified contrabass flute. On Thursday, March 19 at 7:30, courtesy of the Cleveland Museum of Art, Ziegler will bring his spectrum of fascinating sounds to the intimate space of Transformer Station in Ohio City.

“I’m looking forward to the gig,” Ziegler said during a Skype video conversation from his home in Zürich. “I’ve been talking with Tom Welsh at the Museum for some time, and now it finally worked out.” The concert will include music from his album, Ukati, as well as from his most recent recording, La Rusna. “I’ll be bringing the alto and normal flutes too, but the focus will be on the bass and contrabass flutes. It will be a mixed program with some experimental abstract things, as well as some pleasant, ear-catching music.” [Read more…]

Oberlin Opera stages a Cendrillon of professional quality (Nov. 10)

by Daniel Hathaway

Any regional opera company would be popping its buttons with pride to have produced such an impressive performance of Jules Massenet’s Cendrillion (Cinderella) as Oberlin Opera did in Hall Auditorium on Sunday afternoon, November 10.

Imaginative staging by Stephanie Havey, skillful pacing by conductor James Feddeck, beautiful set design and costuming by Laura Carlson-Tarantowski and Chris Flaharty, respectively, plus dramatic and — for the fairies — enchanting lighting by Jeremy K. Benjamin provided a supportive environment for splendid singing by the cast and brilliant playing by the Oberlin Chamber Orchestra.

Literally thousands of versions of the Cinderella tale exist in cultures around the globe, but many of the details of Massenet’s opera date back to Charles Perrault’s 1697 Cendrillon ou la petite pantoufle de verre, which adds what have now become essential elements to the tale: a young girl mistreated by her stepmother and stepsisters, who temporarily attracts the attention of a handsome prince at a royal ball and is eventually reunited with him to become a princess herself. [Read on…]

Seraph Brass dances through musical travels in Rocky River (Nov. 11)

by Stephanie Manning

Before Seraph Brass arrived in Ohio on November 11, the group’s fall touring season had taken them on the road to Missouri, Florida, New York, and even Peru. And at the Rocky River Chamber Music Society, they gave the audience a taste of the traveling life right from the first piece.

The “Prelude” from Edvard Greig’s Holberg Suite whisked listeners away to Norway, with a melody surely familiar to many. It was extra familiar to the brass quintet themselves, who launched into their opening number without sheet music. Playing memorized is part of the group’s trademark, and they smoothly alternated using music and no music throughout the evening. Either way, the wide-ranging program had those at West Shore Unitarian Universalist Church spellbound.

Trumpet players Mary Elizabeth Bowden and Raquel Samayoa, horn player Layan Atieh, trombonist Lauren Casey-Clyde, and tuba player Robyn Black sounded equally comfortable in Romantic and contemporary repertoire, flipping between both with practiced ease. [Read on…]

Cleveland Orchestra’s Beethoven Concerto Cycle performance featured pairing of rising star and mentor (Nov. 15)

This article was originally published on Cleveland.com

By Daniel Hathaway

CLEVELAND, Ohio — For the third program in The Cleveland Orchestra’s Beethoven Piano Concerto Cycle, the pairing of 20-year-old Korean pianist Yunchan Lim with his mentor Minsoo Sohn was an astute programming decision.

Well-established names on the concert circuit — Orion Weiss, Sir Stephen Hough, and Garrick Ohlsson — had already filled the empty solo spots for the composer’s Triple Concerto and solo concertos 2, 3, and 4. But the choice of the youngest pianist ever to win the Van Cliburn Competition to close out the Cleveland series packed Mandel Concert Hall at Severance Music Center on Friday evening, November 15, with a near-capacity audience teeming with enthusiastic young people.

[Read on…]

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