Neoglyphic Entertainment Archives

NEOSonicFest: Contemporary Youth Orchestra plays music from video games at CSU (Mar. 12)

March 22, 2016 by Daniel Hathaway

by Daniel Hathaway

Probably nothing divides human beings quite so neatly into two groups than whether or not they play video games. The members of the Contemporary Youth Orchestra obviously fall on the “I do” side of that divide. On Saturday evening, March 12 in Waetjen Auditorium at Cleveland State University, Liza Grossman led CYO in their annual “Music and Its Industry” concert, this year featuring symphonic arrangements of video game music. Presented under the umbrella of NEOSonicFest, the evening was as fun as it was loud. [Read more…]

NEOSonicFest: Contemporary Youth Orchestra to team up with Neoglyphic Entertainment

March 9, 2016 by Daniel Hathaway

by Mike Telin

On Saturday, March 12 at 7:00 pm in Cleveland State University’s Waetjen Auditorium, Liza Grossman’s Contemporary Youth Orchestra will team up with Neoglyphic Entertainment to present “POWER UP, music from video games. The program will includes tunes from Super Mario Brothers, Angry Birds, Final Fantasy, World of Warcraft, Zelda, Pokemon, and Halo, and music from the upcoming video game Sunborn Rising. The concert, presented as part of NEOSonicFest, is the tenth edition of CYO’s annual Music and its Industry series.

In the past, the series has focused on Broadway music, movie scoring, and songwriting. This year, the program will feature past and future video game music. “Video games are filled with fantasy and require logic, memory, and quick reaction from both mind and body to fulfill goals,” CYO founder and artistic director Liza Grossman said during an interview. “The music gives the experience more depth and really creates the atmosphere of each game. It can be light and fun, like Mario Brothers, or deep and foreboding, like Final Fantasy.” [Read more…]

Oberlin Opera stages a Cendrillon of professional quality (Nov. 10)

by Daniel Hathaway

Any regional opera company would be popping its buttons with pride to have produced such an impressive performance of Jules Massenet’s Cendrillion (Cinderella) as Oberlin Opera did in Hall Auditorium on Sunday afternoon, November 10.

Imaginative staging by Stephanie Havey, skillful pacing by conductor James Feddeck, beautiful set design and costuming by Laura Carlson-Tarantowski and Chris Flaharty, respectively, plus dramatic and — for the fairies — enchanting lighting by Jeremy K. Benjamin provided a supportive environment for splendid singing by the cast and brilliant playing by the Oberlin Chamber Orchestra.

Literally thousands of versions of the Cinderella tale exist in cultures around the globe, but many of the details of Massenet’s opera date back to Charles Perrault’s 1697 Cendrillon ou la petite pantoufle de verre, which adds what have now become essential elements to the tale: a young girl mistreated by her stepmother and stepsisters, who temporarily attracts the attention of a handsome prince at a royal ball and is eventually reunited with him to become a princess herself. [Read on…]

Seraph Brass dances through musical travels in Rocky River (Nov. 11)

by Stephanie Manning

Before Seraph Brass arrived in Ohio on November 11, the group’s fall touring season had taken them on the road to Missouri, Florida, New York, and even Peru. And at the Rocky River Chamber Music Society, they gave the audience a taste of the traveling life right from the first piece.

The “Prelude” from Edvard Greig’s Holberg Suite whisked listeners away to Norway, with a melody surely familiar to many. It was extra familiar to the brass quintet themselves, who launched into their opening number without sheet music. Playing memorized is part of the group’s trademark, and they smoothly alternated using music and no music throughout the evening. Either way, the wide-ranging program had those at West Shore Unitarian Universalist Church spellbound.

Trumpet players Mary Elizabeth Bowden and Raquel Samayoa, horn player Layan Atieh, trombonist Lauren Casey-Clyde, and tuba player Robyn Black sounded equally comfortable in Romantic and contemporary repertoire, flipping between both with practiced ease. [Read on…]

Cleveland Orchestra’s Beethoven Concerto Cycle performance featured pairing of rising star and mentor (Nov. 15)

This article was originally published on Cleveland.com

By Daniel Hathaway

CLEVELAND, Ohio — For the third program in The Cleveland Orchestra’s Beethoven Piano Concerto Cycle, the pairing of 20-year-old Korean pianist Yunchan Lim with his mentor Minsoo Sohn was an astute programming decision.

Well-established names on the concert circuit — Orion Weiss, Sir Stephen Hough, and Garrick Ohlsson — had already filled the empty solo spots for the composer’s Triple Concerto and solo concertos 2, 3, and 4. But the choice of the youngest pianist ever to win the Van Cliburn Competition to close out the Cleveland series packed Mandel Concert Hall at Severance Music Center on Friday evening, November 15, with a near-capacity audience teeming with enthusiastic young people.

[Read on…]

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