by Mike Telin
When Danish director Carl Theodor Dreyer’s The Passion of Joan of Arc was first screened in Paris in 1928, the silent film classic was accompanied by an orchestral score specially composed by Victor Alix and Léo Pouget. A subsequent version paired the movie with music by J.S. Bach, Tomaso Albinoni and Antonio Vivaldi arranged by Joseph-Marie Lo Duca. Dreyer wasn’t happy with either solution, especially the baroque music, which he thought to be anachronistic for a story set in the middle ages. [Read more…]