Pelleas et Melisande Archives - Cleveland Classical

Cleveland Orchestra: a conversation with Pelléas and Mélisande’s Golaud

April 29, 2017 by Mike Telin

by Mike Telin

Claude Debussy’s journey to writing an opera had many false starts. Then he happened across the symbolist plays of Maurice Maeterlinck. After discovering that the author had given Vincent d’Indy permission to to set his La princesse Maleine to music, Debussy turned his attention to Maeterlinck’s Pelléas et Mélisande.

On May 2nd, 4th, and 6th at 7:30 pm at Severance Hall, The Cleveland Orchestra under the direction of Franz Welser-Möst will present three performances of the new fully-staged production by Yuval Sharon of Debussy’s only completed opera. The cast will include Elliot Madore (as Pelléas), Martina Janková (Mélisande), Hanno Müller-Brachmann (Golaud), Nancy Maultsby (Genevieve), Peter Rose (Arkel), Julie Mathevet (Yniold), and David Castillo (Doctor/Shepherd). [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

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