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Pianist Yuja Wang creates magic with The Cleveland Orchestra (Nov. 28)

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by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio – Thanksgiving weekend concerts by The Cleveland Orchestra often center around a big-ticket soloist or a popular piece.

This year’s program offers both, thanks to star pianist Yuja Wang and Maurice Ravel’s brilliant orchestration of Modest Mussorgsky’s “Pictures at an Exhibition.”

On Friday November 28, the snow cleared just in time for the crowds to arrive at Severance Music Center for the evening event. Led by conductor Petr Popelka, the resulting concert equally displayed the prowess of Orchestra and soloist over the course of three fascinating works.

György Ligeti’s Piano Concerto stood out in contrast to the lush textures and easy-to-follow melodies of the works that surrounded it. Premiered in 1988, its dissonant and avant-garde music might have come from another world. But both Wang and the Orchestra rose to meet the challenge of its devilishly tricky rhythms with an assured confidence.

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Cleveland Orchestra performance Saturday at Blossom highlighted by debut of violinist Veronika Eberle (July 19)

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by Peter Feher

This article was originally published on Cleveland.com

CUYAHOGA FALLS, Ohio — Four fateful notes were knocking around in Beethoven’s head when he was composing many of his most famous works in his mid-30s.

This motif would, of course, find its supreme expression in his Fifth Symphony, premiered in 1808 and part of the popular imagination ever since. But just a few years before, Beethoven had tried out a variation on the idea — softer but no less suspenseful — at the beginning of his Violin Concerto.

The crowd at Blossom Music Center last night, Saturday July 19, was remarkably hushed, ready to hear the four faint quarter notes tapped out on timpani that begin the concerto. Over the next 45 minutes, violinist Veronika Eberle elaborated on the sequence in numerous flights of virtuosic fancy, floating high above the solid, sturdy accompaniment of the Cleveland Orchestra. Yet throughout, the performance remained grounded in the quiet clarity of that opening measure.

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The Cleveland Orchestra: Summers at Severance with Petr Popelka & James Ehnes (July 25)

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by Peter Feher

Movie music has been cropping up on more and more Cleveland Orchestra programs in recent seasons — even when it’s not advertised.

This was all to the good at Severance Music Center on Thursday, July 25. The Orchestra sounded very much its polished self in the second concert of this year’s Summers at Severance series, the set of strictly classical offerings that the ensemble has brought back to balance out this summer’s lighter programming at Blossom Music Center.

All the same, summer was in full swing on Euclid Avenue. The front terrace outside Severance was strung with lights and set up with white tents serving refreshments. [Read more…]

James Ehnes courts jet lag to play Korngold Concerto at Severance

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by Mike Telin

When Canadian violinist James Ehnes got a call from his management telling him that The Cleveland Orchestra was interested in inviting him to play a concerto in July, his first reaction was “That’s impossible. I’m in Seattle in July.”

Then he thought again. “The Cleveland Orchestra is, for me, one of the most inspiring orchestras in the world, and any chance to work with them is something I’m going to jump at.”

On Thursday, July 25 at 7 pm, Ehnes will join the Cleveland Orchestra for a Summers at Severance concert led by Petr Popelka.

The violinist will be featured in Erich Wolfgang Korngold’s Concerto, on a program that includes César Franck’s Le Chasseur maudit and Antonín Dvořák’s Symphony No. 6. Tickets are available online.

Korngold, born in 1897, was an Austrian composer and conductor who fled Europe in the mid-1930s and later adopted U.S. nationality. A noted pianist and composer of classical music, he was the first composer of international stature to write Hollywood film scores.

I reached James Ehnes by telephone to ask about his scheduling dilemma and his choice of the Korngold.

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The Cleveland Orchestra revives Summers at Severance series

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by Stephanie Manning

Four years on from pandemic disruptions, some ensembles are still working on returning to 100% of their pre-2020 programming. Case in point from this summer: The Cleveland Orchestra, which is reviving its Summers at Severance series for the first time in five years.

“As we’ve been coming back to ‘normal,’ there is definitely an appetite for more of our classical offerings during the summer,” artistic administrator Michael Gandlmayr said in a recent interview. While the Orchestra’s home at this time of year is unquestionably Blossom Music Center, performing a few times at Severance Music Center gives audiences more options to enjoy their programming. “It’s also a great opportunity for us to see some new and returning faces, both on the podium as well as soloists.”

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