by Peter Feher

In 2017, soprano Renée Fleming disputed The New York Times’ intimation that she was retiring from the operatic stage, but the no-nonsense diva has closed a certain chapter in her singing career in order to embark on another. Since turning 60, Fleming has focused almost exclusively on projects to which she has a personal connection, evangelizing on behalf of the composer-friends who have written pieces for her.
Penelope, by the late musical polymath André Previn, is one such work and something of an all-star chamber production. [Read more…]




