by Daniel Hathaway

O’Donnell chose the sort of roughly chronological program that was the norm for mid-twentieth century recitals, beginning with Louis Marchand and proceeding through J.S. Bach, Enrico Bossi, Edward Elgar, Maurice Duruflé, Marcel Dupré, Frank Bridge and William Walton, with a slight preference for British composers. Which, after all, is exactly why you come to hear the incumbent of a famous English post play a recital in the US, especially a musician as accomplished as this one.
O’Donnell led off with Marchand’s Grand Dialogue in C, a work designed to show off the Grands Jeux of the French classical organ, with its fiery reeds and snarly cornets and tierces. [Read more…]



