by Mike Telin

Trevino, who was named Music Director of the Basque National Orchestra in 2016, said that he sees the symphony as part of a continuum that exists in the composer’s last four symphonies. “I think the Fourth, Fifth, the Manfred, and the Sixth are all dealing with fundamentally the same problem, and finding a different way of solving it,” he said, explaining that beginning with the Fourth Symphony the composer enters into a period of ever-present doom.
“I can’t help but feel that comes from his profound isolation, because he lived in a time when homosexuality was not just frowned upon, it was simply not allowed and I imagine that was very difficult for him. [Read more…]


