The BlueWater Chamber Orchestra Archives

Preview: Blue Water Chamber Orchestra: Jane Eaglen to sing Wagner on March 2

February 26, 2013 by Special to ClevelandClassical.com

by Mike Telin

“The Wesendonck Lieder are beautiful and I just love to sing these songs any chance I get,” exclaims renowned dramatic soprano Jane Eaglen. “I learned them with my teacher when I first went to college at eighteen, and I have performed them many, many times, and every time I do I find something new and different about them.” On Saturday, March 2 beginning at 7:30 pm in Plymouth Church, Jane Eaglen will perform Wagner’s Wesendonck Lieder with Blue Water Chamber Orchestra under the direction of Carlton Woods. The concert, titled Jane & Ludwig, also includes Beethoven’s Egmont Overture and Symphony No. 8.

The five songs that comprise the Wesendonck Lieder, Der Engel (The Angel), Stehe still! (Stand still!), Im Treibhaus (In the Greenhouse), Schmerzen (Sorrows) and Träume (Dreams) were composed while Wagner was working on his opera Tristan und Isolde. “Of course he was trying things out for Tristan when he was writing them, so I suppose it was a bit of writing the songs before the opera.” In fact Wagner sub-titled two of the songs Träume and Treibhaus, as studies for Tristan und Isolde. [Read more…]

Review: Cleveland Classical Guitar Society & BlueWater Chamber Orchestra present Robert Gruca with the BlueWater String Quartet (January 20)

January 22, 2013 by Special to ClevelandClassical.com

by Daniel Hathaway

Our politicians could learn a lot about working together from three of Cleveland’s musical groups. The Cleveland Classical Guitar Society is joining with BlueWater Chamber Orchestra and Les Délices to present joint concerts this month and next. On January 20, CCGS and BWCO presented guitarist Robert Gruca with the BlueWater String Quartet in Spanish, Italian and Latin music at First Unitarian in Shaker Heights. Next month, Les Délices will play two concerts with lutenist Nigel North and soprano Carrie Henneman Shaw on February 16 and 17 jointly sponsored by CCGS.

Collaborations like these can be beneficial in a number of ways: combining two distinct audiences, sharing expenses, developing unusual programs. The list goes on. Though the longterm effects of such joint projects are still to be measured, good vibes abounded at Sunday’s well-attended concert. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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