by Timothy Robson

In the 19th and early 20th centuries, before the invention of electronic recording devices, cities in Europe—especially in England—and the United States built large pipe organs in public auditoriums. These city-funded facilities were for the purposes of the musical education and entertainment of the citizens, especially in places where there was no symphony orchestra.
The city organist was expected to perform transcriptions of orchestral and chamber works, light and “novelty” music and patriotic marches, as well as literature written for the organ. [Read more…]


