Tokyo Quartet Archives - Cleveland Classical

Cleveland Chamber Music Society — The Tokyo String Quartet: a conversation with cellist Clive Greensmith about its valedictory season

October 23, 2012 by Daniel Hathaway

by Daniel Hathaway

The Tokyo String Quartet stunned its many fans when it announced its intention to leave the concert circuit in July of 2013, after deciding not to replace retiring violinist Kikuei Ikeda and violist Hazuhide Isomura. The group’s final appearance in Cleveland will take place on October 30 at Plymouth Church on the Cleveland Chamber Music Society series, when the Tokyo will play Haydn’s Quartet op. 76, no. 4, Alban Berg’s Quartet op. 3 and Brahms’s Quartet op. 67. British-born cellist Clive Greensmith (left) joined the Tokyo Quartet in 2002 and along with first violinist Martin Beaver made the decision to retire the whole group. We reached Greensmith by phone in New Haven, where the quartet is in residence at Yale, to ask about how a string quartet goes about closing up shop after 44 years.

Daniel Hathaway: Did it come as a surprise to you when Mr. Ikeda and Mr. Isomura decided to retire?

Clive Greensmith: Actually, no. We had been talking about what direction the quartet should go in, and as has been fairly well publicized for a while, Martin and myself thought it would be a good thing to try to find new members. [Read more…]

Oberlin Opera stages a Cendrillon of professional quality (Nov. 10)

by Daniel Hathaway

Any regional opera company would be popping its buttons with pride to have produced such an impressive performance of Jules Massenet’s Cendrillion (Cinderella) as Oberlin Opera did in Hall Auditorium on Sunday afternoon, November 10.

Imaginative staging by Stephanie Havey, skillful pacing by conductor James Feddeck, beautiful set design and costuming by Laura Carlson-Tarantowski and Chris Flaharty, respectively, plus dramatic and — for the fairies — enchanting lighting by Jeremy K. Benjamin provided a supportive environment for splendid singing by the cast and brilliant playing by the Oberlin Chamber Orchestra.

Literally thousands of versions of the Cinderella tale exist in cultures around the globe, but many of the details of Massenet’s opera date back to Charles Perrault’s 1697 Cendrillon ou la petite pantoufle de verre, which adds what have now become essential elements to the tale: a young girl mistreated by her stepmother and stepsisters, who temporarily attracts the attention of a handsome prince at a royal ball and is eventually reunited with him to become a princess herself. [Read on…]

Seraph Brass dances through musical travels in Rocky River (Nov. 11)

by Stephanie Manning

Before Seraph Brass arrived in Ohio on November 11, the group’s fall touring season had taken them on the road to Missouri, Florida, New York, and even Peru. And at the Rocky River Chamber Music Society, they gave the audience a taste of the traveling life right from the first piece.

The “Prelude” from Edvard Greig’s Holberg Suite whisked listeners away to Norway, with a melody surely familiar to many. It was extra familiar to the brass quintet themselves, who launched into their opening number without sheet music. Playing memorized is part of the group’s trademark, and they smoothly alternated using music and no music throughout the evening. Either way, the wide-ranging program had those at West Shore Unitarian Universalist Church spellbound.

Trumpet players Mary Elizabeth Bowden and Raquel Samayoa, horn player Layan Atieh, trombonist Lauren Casey-Clyde, and tuba player Robyn Black sounded equally comfortable in Romantic and contemporary repertoire, flipping between both with practiced ease. [Read on…]

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