by Daniel Hathaway

Well, OK, not the whole piece, but Russell gives the quintet a good twenty-minutes worth of Stravinsky’s score redeployed for flute (and piccolo), oboe, clarinet, horn and bassoon, and it worked. In her introduction, oboist Toyin Spellman-Diaz noted that the audience would be able to hear inner details that had heretofore been “covered up by loud percussion and obnoxious brass — you know who you are!” she joked to the balconies where some of those blushing conservatory offenders were sure to be found. [Read more…]


