Vân-Ánh Vanessa Võ Archives - Cleveland Classical

CMA: Vân-Ánh Vanessa Võ lights up Transformer Station (Oct. 26)

November 4, 2014 by Daniel Hathaway

by Jarrett Hoffman

Some performers like to talk to the audience during a concert, providing insight into the program, inviting them to get up and dance, or maybe just shooting the breeze. Last Sunday night, October 26, on the Cleveland Museum of Art’s Performing Arts Series at Transformer Station in Ohio City, Vietnamese traditional performer and composer Vân-Ánh Vanessa Võ took audience participation a step further. [Read more…]

CMA’s Transformer Station concerts begin with Vietnamese zither virtuoso

October 21, 2014 by Daniel Hathaway

by Mike Telin

In his introduction to Vân-Ánh Vanessa Võ’s January of 2014 tiny desk concert, NPR music producer, Tom Huizenga wrote: “Vân-Ánh Vanessa Võ is a veteran when it comes to taking risks, and it pays off in her compelling music.

“As a young girl in Vietnam, she knew she wanted to be a traditional musician, even though it was a world dominated by men. It was risky, then, when she pestered a master teacher for three years to give her lessons. He finally gave in, taking her on as an apprentice.”

On Sunday, October 26 at 7:30 pm in the Transformer Station, The Cleveland Museum of Art’s Performing Arts Series will present the masterful player of the 16-string “dan Tranh”—a zither with moveable bridges — and the pitch-bending monochord, dan Bau. [Read more…]

Singers’ Club of Cleveland: To Dwell in Harmony (Dec. 9)

by Kevin McLaughlin

The Singers’ Club of Cleveland brought the joy of the season to Trinity Cathedral on Tuesday evening with a program titled To Dwell in Harmony, a holiday offering both polished and good-humored. The venerable all-male chorus — whose lineage stretches back to 1891 and includes collaborations with conductors from Beryl Rubinstein to Robert Shaw — now finds itself under new leadership.

Christopher Clark, appointed in August as Artistic Director (while serving concurrently as Director of Choirs at Case Western Reserve University), led his first Singers’ Club concert with easy command. The chorus appeared to trust him from the first downbeat, and the audience received him just as warmly.

Trinity Cathedral, whose acoustics can flatter or expose a chorus in equal measure, proved an asset. The evening opened with one of its most effective moments: Veni, Veni Emmanuel in John Englert’s arrangement. Clark placed the choir on three sides of the audience, creating a surround-sound of chant that was silky and assured — a confident beginning. [Read on…]

Les Délices welcomes the festive season with “Noel, Noel” (Dec. 7)

by Stephanie Manning

Once December kicks in, an almost overwhelming number of holiday programs pop up around Northeast Ohio. But Les Délices’ offering should draw your attention.

While other festive concerts may create the atmosphere of a bustling party by the fireplace, “Noel, Noel” is like observing a snowy evening from the warmth of the indoors. This is music best enjoyed in quiet contentment, and especially live — so it’s no surprise that the early music ensemble brought back this signature program for three performances this month.

On December 7 at West Shore Unitarian Universalist Church, the six-member group presented a lovely ninety-minute program, which is also available on CD and via streaming until the end of the year. [Read on…]

Cleveland Chamber Choir: In Four Voices (Dec. 3)

by Kevin McLaughlin

Renaissance polyphony can bloom in resonant spaces, but the Donna and James Reid Gallery at the Cleveland Museum of Art presents particular challenges: hard surfaces and a long reverb tend to blur consonants into watercolor. The Cleveland Chamber Choir’s four-voice ensemble met those conditions head-on during its “In Four Voices” program on December 3. What emerged was an evening of consistently beautiful vocal timbre shaped by a group navigating the sonic characteristics of the room.

The concert, to be followed in January and March by appearances of various-sized ensembles, is part of a new development for the Cleveland Chamber Choir, called the Camerata Series — more information here.

To improve their chances of hearing one another, the quartet — soprano Lauren Vanden Broeck, mezzo-soprano Kira McGirr, tenor Joel Kincannon, and bass Dominic Aragon — stood in a traditional “part book” formation, like a diamond, facing inward. This meant that their sound was directed toward each other, rather than outward to the listeners around them. [Read on…]

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