by Mike Telin
When the duo andPlay — Maya Bennardo, violin, and Hannah Levinson, viola — were in Cleveland to perform on the Re:Sound Festival last summer, ClevelandClassical.com critic Jarrett Hoffman wrote that “Bennardo and Levinson played with obvious chemistry, genuinely at ease with one another in the kind of way that just makes an audience feel good.”
On Thursday, November 21, andPlay will return to Northeast Ohio for a performance on the Kent State Vanguard New Music Series. The 7:30 pm concert in Ludwig Recital Hall will include Leah Asher’s Letters to My Future Self (2018), Clara Iannotta’s Limun (2011), Anthony Vine’s Terrain (2019), Scott Wollschleger’s Violain (2017), and the premiere of a new work by Adam Roberts. The event is free.
I caught up with the duo by telephone and began our conversation by asking how their invitation to Kent came about.
We live in a time when outside political forces are driving more musicians to handle politics directly on stage, proffering emotionally powerful performances as vehicles for expanding a listener’s empathy. And since percussionists are among the most versatile of musicians — needing to strike any number of objects well and precisely — it is only logical that they add their voices to the mix.