Xavier Foley Archives - Cleveland Classical

Akron Symphony:
“Serenade for Strings”
(Jan. 14)

January 18, 2023 by Kevin McLaughlin

by Kevin McLaughlin

The Akron Symphony Orchestra was particularly well represented by its string section on Saturday, January 14, as it continued to put on display both the strength of its players and its capacity for varied and engaging programming.

The concert, titled “Serenade for Strings,” featured six chamber works, all performed on the ASO’s home stage at E.J. Thomas Hall. The players were seated in front of a scrim to enhance projection and simulate a chamber setting. The program included J.S. Bach’s Brandenburg Concerto No. 3, Julia Perry’s introspective Pastoral, and Xavier Foley’s Double Concerto “For Justice and Peace,” written in 2019. Also a double bassist, Foley was featured twice as soloist — first, alongside violinist Eunice Kim in the Double Concerto and following intermission, in Bottesini’s Double Bass Concerto No. 2. The evening concluded with a deft performance of Tchaikovsky’s intimate Serenade for Strings.

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ChamberFest Cleveland: introducing bassist Xavier Foley

June 13, 2017 by Samantha Spaccasi

by Mike Telin

When asked, most musicians are able to pinpoint an event that led them to make the decision to pursue music as a career. For bassist Xavier Foley, it was in 2006 when at eleven years old and in the sixth grade, he shifted his attention away from his teacher Miss King’s discussion of nouns, adverbs, and clauses, in favor of making a bow and arrow out of a paper clip and a rubber band. Click here to watch a video where the Marietta, Georgia native explains all. And yes, it’s quite funny.

Since that fateful day, Foley has gone on to become a First Prize winner in 2014 at the Sphinx Competition and Astral Artists National Auditions, as well as a winner at the 2016 Young Concert Artists Auditions. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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