Yulia van Doren Archives - Cleveland Classical

Cleveland Orchestra & Chamber Chorus: Handel’s Messiah (December 3)

December 8, 2015 by Daniel Hathaway

by Daniel Hathaway

Handel Performing Handel’s most famous oratorio poses a challenge for modern conductors, choruses and orchestras. Even in 1742 when it was being created prior to its debut in Dublin, its composer found himself steering a perilous course between the values of puritans, who wanted it to be religious, and thespians, who saw it as a piece of theater. Nowadays, conductors, orchestras and choruses also find themselves navigating between the values of the historically informed performance movement and the desire to make this hugely popular work accessible to a wide public. Decisions, decisions! [Read more…]

Cleveland Orchestra with James Gaffigan and Yulia Van Doren (October 23)

October 25, 2014 by Daniel Hathaway

by Daniel Hathaway

Pietism and fatalism inspired the disquieting poetic images that soprano Yulia Van Doren and the Cleveland Orchestra and Chorus presented in works by Johann Sebastian Bach and Johannes Brahms last Thursday night in Severance Hall. Those depressing thoughts might have put a damper on the proceedings, had not the music in both cases been so appealing. [Read more…]

Cleveland Orchestra: Hilary Hahn cancels

October 20, 2014 by Daniel Hathaway

On the advice of her physician, violinist Hilary Hahn has withdrawn from this weekend’s Cleveland Orchestra concerts with guest conductor James Gaffigan. She will be replaced by soprano Yulia van Doren, and Johann Sebastian Bach’s solo cantata, Mein Herze schwimmt im Blut, BWV 199 will be substituted for the previously-scheduled Bach violin concertos. The program also includes Johannes Brahms’s Schicksalslied with the Cleveland Orchestra Chorus, and Felix Mendelssohn’s Symphony No. 5, “Reformation.”

Jung-Min Amy Lee, associate concertmaster of The Cleveland Orchestra, will replace Hahn for the masterclass with students from area colleges and universities in Reinberger Chamber Hall on Tuesday, October 21 at 4:00 pm. The event is free and open to music teachers, students and parents, but tickets are required.

Oberlin Opera stages a Cendrillon of professional quality (Nov. 10)

by Daniel Hathaway

Any regional opera company would be popping its buttons with pride to have produced such an impressive performance of Jules Massenet’s Cendrillion (Cinderella) as Oberlin Opera did in Hall Auditorium on Sunday afternoon, November 10.

Imaginative staging by Stephanie Havey, skillful pacing by conductor James Feddeck, beautiful set design and costuming by Laura Carlson-Tarantowski and Chris Flaharty, respectively, plus dramatic and — for the fairies — enchanting lighting by Jeremy K. Benjamin provided a supportive environment for splendid singing by the cast and brilliant playing by the Oberlin Chamber Orchestra.

Literally thousands of versions of the Cinderella tale exist in cultures around the globe, but many of the details of Massenet’s opera date back to Charles Perrault’s 1697 Cendrillon ou la petite pantoufle de verre, which adds what have now become essential elements to the tale: a young girl mistreated by her stepmother and stepsisters, who temporarily attracts the attention of a handsome prince at a royal ball and is eventually reunited with him to become a princess herself. [Read on…]

Seraph Brass dances through musical travels in Rocky River (Nov. 11)

by Stephanie Manning

Before Seraph Brass arrived in Ohio on November 11, the group’s fall touring season had taken them on the road to Missouri, Florida, New York, and even Peru. And at the Rocky River Chamber Music Society, they gave the audience a taste of the traveling life right from the first piece.

The “Prelude” from Edvard Greig’s Holberg Suite whisked listeners away to Norway, with a melody surely familiar to many. It was extra familiar to the brass quintet themselves, who launched into their opening number without sheet music. Playing memorized is part of the group’s trademark, and they smoothly alternated using music and no music throughout the evening. Either way, the wide-ranging program had those at West Shore Unitarian Universalist Church spellbound.

Trumpet players Mary Elizabeth Bowden and Raquel Samayoa, horn player Layan Atieh, trombonist Lauren Casey-Clyde, and tuba player Robyn Black sounded equally comfortable in Romantic and contemporary repertoire, flipping between both with practiced ease. [Read on…]

Cleveland Orchestra’s Beethoven Concerto Cycle performance featured pairing of rising star and mentor (Nov. 15)

This article was originally published on Cleveland.com

By Daniel Hathaway

CLEVELAND, Ohio — For the third program in The Cleveland Orchestra’s Beethoven Piano Concerto Cycle, the pairing of 20-year-old Korean pianist Yunchan Lim with his mentor Minsoo Sohn was an astute programming decision.

Well-established names on the concert circuit — Orion Weiss, Sir Stephen Hough, and Garrick Ohlsson — had already filled the empty solo spots for the composer’s Triple Concerto and solo concertos 2, 3, and 4. But the choice of the youngest pianist ever to win the Van Cliburn Competition to close out the Cleveland series packed Mandel Concert Hall at Severance Music Center on Friday evening, November 15, with a near-capacity audience teeming with enthusiastic young people.

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