Zach Terrillion, Author at Cleveland Classical

Cleveland Orchestra’s pairing of Mahler’s Fourth Symphony with Betsy Jolas is a perfect match (Nov. 30)

December 5, 2023 by Zach Terrillion

by Kevin McLaughlin
This article was originally published on Cleveland.com
Photo by Roger Mastroianni

CLEVELAND, Ohio — The Cleveland Orchestra’s pairing of Mahler’s Fourth Symphony with the U.S. premiere of Betsy Jolas’ “Ces belles années…” at Severance Music Center on Thursday night had you scratching your head at first. But the minute soprano Lauren Snouffer began to sing Jolas’ words, it started to make sense.

Snouffer walked onto the stage cautiously — as if unsure she should be there at all — at about the three-quarter mark to deliver a series of musically angular but disarming lines about celebrating the joy of one’s experiences.

A Cleveland Orchestra co-commission, “Ces belles années…” also contains hidden allusions to the classic “Happy Birthday” tune as a nod to Jolas’s beloved Aix-en-Provence Festival, which celebrated its 75th anniversary in 2022. [Read more…]

Jazz Meets Classical: Grammy-nominated Dan Wilson on the Cleveland Classical Guitar Society Showcase

November 7, 2023 by Zach Terrillion

by Zach Terrillion

Classical guitar is a tradition dating back centuries. Such a long tradition is up for fresh twists and interpretations. That’s the case with this year’s Showcase Concert from the Cleveland Classical Guitar Society, which returns on Saturday, November 11 with the appearance of jazz guitarist Dan Wilson.

An Akron native, Wilson will be the first jazz musician to play at the showcase. I sat down with Wilson over Zoom to discuss his style, the surprising similarities and differences between classical and jazz guitar, George R.R. Martin, and what audiences should look forward to at Saturday’s show.

When it comes to style, Wilson considers himself a “musical omnivore,” tracing it to many different sources. His musical prowess emerged in the church with a love of gospel music. He has since taken inspiration from other genres like R&B, hip-hop, blues, and traditional jazz. He has performed with jazz greats like Joey DeFrancesco and his trio quartet, performing on his Grammy-nominated album Project Freedom, as well as with other luminaries like Van Morrison. A true omnivore, Wilson’s palate has been all-encompassing. “Whatever inspires me, I take it in.”

[Read more…]

Singers’ Club of Cleveland: To Dwell in Harmony (Dec. 9)

by Kevin McLaughlin

The Singers’ Club of Cleveland brought the joy of the season to Trinity Cathedral on Tuesday evening with a program titled To Dwell in Harmony, a holiday offering both polished and good-humored. The venerable all-male chorus — whose lineage stretches back to 1891 and includes collaborations with conductors from Beryl Rubinstein to Robert Shaw — now finds itself under new leadership.

Christopher Clark, appointed in August as Artistic Director (while serving concurrently as Director of Choirs at Case Western Reserve University), led his first Singers’ Club concert with easy command. The chorus appeared to trust him from the first downbeat, and the audience received him just as warmly.

Trinity Cathedral, whose acoustics can flatter or expose a chorus in equal measure, proved an asset. The evening opened with one of its most effective moments: Veni, Veni Emmanuel in John Englert’s arrangement. Clark placed the choir on three sides of the audience, creating a surround-sound of chant that was silky and assured — a confident beginning. [Read on…]

Les Délices welcomes the festive season with “Noel, Noel” (Dec. 7)

by Stephanie Manning

Once December kicks in, an almost overwhelming number of holiday programs pop up around Northeast Ohio. But Les Délices’ offering should draw your attention.

While other festive concerts may create the atmosphere of a bustling party by the fireplace, “Noel, Noel” is like observing a snowy evening from the warmth of the indoors. This is music best enjoyed in quiet contentment, and especially live — so it’s no surprise that the early music ensemble brought back this signature program for three performances this month.

On December 7 at West Shore Unitarian Universalist Church, the six-member group presented a lovely ninety-minute program, which is also available on CD and via streaming until the end of the year. [Read on…]

Cleveland Chamber Choir: In Four Voices (Dec. 3)

by Kevin McLaughlin

Renaissance polyphony can bloom in resonant spaces, but the Donna and James Reid Gallery at the Cleveland Museum of Art presents particular challenges: hard surfaces and a long reverb tend to blur consonants into watercolor. The Cleveland Chamber Choir’s four-voice ensemble met those conditions head-on during its “In Four Voices” program on December 3. What emerged was an evening of consistently beautiful vocal timbre shaped by a group navigating the sonic characteristics of the room.

The concert, to be followed in January and March by appearances of various-sized ensembles, is part of a new development for the Cleveland Chamber Choir, called the Camerata Series — more information here.

To improve their chances of hearing one another, the quartet — soprano Lauren Vanden Broeck, mezzo-soprano Kira McGirr, tenor Joel Kincannon, and bass Dominic Aragon — stood in a traditional “part book” formation, like a diamond, facing inward. This meant that their sound was directed toward each other, rather than outward to the listeners around them. [Read on…]

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