by Daniel Hathaway
TODAY’S ALMANAC:
Let us now praise famous musicians who arrived or departed on May 18.
German composer Georg Böhm took his leave on this date in 1733. He was working for the French-influenced court in Luneburg when Johann Sebastian Bach was a teenaged chorister at a church down the street. Enjoy two of Böhm’s engaging works played on the Schnitger organ in Groningen by Wim van Beek. We’ll start with his multi-sectioned Präludium in g, then move on to his variations on Freu dich sehr, o meine Seele — the next-to-last variation introduces some stunning blue notes into the harmony.
Two basses come up in today’s list: the birth of Ezio Pinza in Rome in 1892, and the death of Dietrich Fischer-Dieskau in 2012. We featured the latter in an earlier Diary, so we’ll move on to Pinza, who, despite never having learned to read music, enjoyed a long and distinguished opera career beginning in Milan under Toscanini and at the MET in New York.
Watch some rare video of Pinza rehearsing for a Bell Telephone Hour program in 1947, and recall his second career on Broadway in clips from Rodgers & Hammerstein’s South Pacific, where he appeared opposite Mary Martin as the French planter Emil de Becque.
German composer and conductor Gustav Mahler (pictured) died in Vienna on this date in 1911, leaving nine-and-a-half monumental symphonies that were performed during his lifetime, but languished until their revival later in the century, notably by Leonard Bernstein. The works suited the conductor’s extroverted personality, as can be witnessed in this 1973 performance of No. 2, the “Resurrection” Symphony, at Ely Cathedral. (In 2018, the film of the performance was screened at Ely, preceded by interviews). I had the memorable experience of singing the work with Bernstein and the Boston Symphony at Tanglewood in the early 70s.
The roots of Mahler’s music are explored by Bernstein’s spiritual successor, the late Michael Tilson Thomas, in two episodes of Keeping Score with the San Francisco Symphony.
Finally, on this date in 1975, American composer and arranger Leroy Anderson died in Woodbury, Connecticut. Long associated with Arthur Fiedler and the Boston Pops, the Harvard grad was famous for such light classics as Bugler’s Holiday, played here by Cleveland Orchestra principal trumpet Michael Sachs with the UCLA Wind Ensemble and two of his young colleagues. Occasionally, Anderson aspired to more ambitious works. Watch a rare performance of his Piano Concerto here
