DIARY, Weekend, Thursday-Monday, May 23-26, 202

May 23, 2022 by Daniel Hathaway

by Daniel Hathaway

HAPPENING THIS MEMORIAL DAY WEEKEND:

On Friday at 7:30 and Saturday at 8, The Cleveland Orchestra continues its Opera Festival with Vox Humana (works by Francis Poulenc, J.S. Bach, Galina Ustvolskaya, and Richard Strauss, with Franz Welser-Möst, conducting, Sarah Aristidou, soprano Tony Sias, narrator, and The Cleveland Orchestra Chorus.

Also on Saturday, at 7:30 Carl Topilow leads the Firelands Symphony Orchestra in Samuel Barber’s Violin Concerto, with Andrès Cárdenes, plus works by Aaron Copland, Leonard Bernstein, and John Williams at Sawmill Creek Convention Center, in Huron. Tickets available online.

And on Sunday at 3 pm, Franz Welser-Möst leads The Cleveland Orchestra and Chorus in the third and final performance of Leoš Janáček’s Jenůfa.

Same day at the same hour, Cleveland Chamber Collective presents Music of America VIII, featuring works by Missy Mazzoli, Eric D. Gould, and Katherine Hoover, plus premieres of works by Ty Alan Emerson and Eric Charnofsky (Disciples Church in Cleveland Hts., free and live streamed here.)

MEMORIAL DAY WEEKEND ALMANAC:

On May 23, 1885, Paraguayan composer Agustín Barrios Mangoré was born in San Bautista de las Misiones. The Cleveland Classical Guitar Society presented Paraguayan guitarist Berta Rojas in a 2020 online concert devoted to his music, including special guests Paquito D’Rivera (clarinet), Milagros Caliva (bandoneon), and Marcelo Enrique Barrios (the composer’s great-grandson).

Add Edmund Rubbra, born in 1901 in Northampton, to the list of underperformed British composers who should receive more exposure. Harry Christophers talks about a new recording he’s made of Rubbra’s music with The Sixteen here.

Mark the birthday of Spanish pianist Alicia de Larrocha, born on this date in 1923 with a special tribute filmed on the 91st anniversary of that event.

Finally, take note of the birthday in New York of American experimental composer Robert Moog on May 23, 1934, with a two-part Pacific Radio interview conducted in his studio that covers the invention of the synthesizer named after him, and the music written for it.

About Daniel Hathaway

Daniel Hathaway founded ClevelandClassical.com in September, 2008, after a thirty-one year tenure as music director of Cleveland’s Trinity Cathedral, where he founded the Wednesday Noon Brownbag Concert Series and Trinity Chamber Orchestra. A graduate of Harvard College and the Episcopal Divinity School, he also studied historical musicology at Princeton and Harvard Universities. Before coming to Cleveland in 1977, he served as head of humanities at the Sunset Hill School in Kansas City and as head of arts at Groton School in Massachusetts. In Cleveland, he has served on the music staff of Cleveland Opera, Great Lakes Theater Festival, and the faculty of Laurel School. As an organist, Hathaway has played recitals in the U.S., England, France, Germany, and Austria. He team-teaches Music Journalism at Oberlin College and Conservatory and is a member of the Music Critics Association of North America.

Christmas with Cantus at Tuesday Musical (Nov. 30)

by Peter Feher

Tuesday Musical gave Akron audiences a generous Christmas gift this year. The presenter tied three holiday classics together in one sumptuous concert on Sunday afternoon, November 30, at E.J. Thomas Hall. First up was the story of The Velveteen Rabbit, followed by a quick waltz through The Nutcracker and a ride on The Polar Express.

Delightfully, this trio of tales was recounted with drama and poise — not by any actors or dancers but by the eight members of the all-male a cappella ensemble Cantus. The group, based in Minnesota and now in its fourth decade, is once again touring the country with a polished, compact production of carols, pop tunes, and of course Tchaikovsky.

[Read on…]

Oberlin Music Theater soars in The Great Comet of 1812 (Dec. 3)

by Peter Feher

The stars aligned for Oberlin Music Theater’s production of Natasha, Pierre & The Great Comet of 1812, suggesting a bright future for the college’s newest area of study.

Oberlin Conservatory has cultivated young talent for more than 150 years, but musical theater only entered the curriculum this semester. The program’s first students arrived in the fall under director and professor Victoria Bussert, who brought with her several colleagues from Baldwin Wallace University — including a few who collaborated on her 2023 staging of Great Comet for Cleveland’s Great Lakes Theater company.

Even for the experienced, this show is a massive undertaking, with a story adapted from Leo Tolstoy’s War and Peace and a score demanding stamina and stylistic range. But nothing daunted the student actors on opening night, December 3. Not the immersive direction by Bussert, nor the energy-intensive choreography by Alex Sanchez. (Two casts alternated in eight performances through December 10.)

[Read on…]

Cleveland Orchestra channels all things merry, bright in Holiday Concert at Severance (Dec. 13)

by Kevin McLaughlin

Photo by Roger Mastroianni

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Holiday concerts trade on familiarity, but the best of them feel less like ritual and more like reunion.

On Saturday evening, Dec. 13 at Mandel Concert Hall, The Cleveland Orchestra welcomed a full house for the second of its twelve annual Holiday Concerts, a tradition that dates back to 1919.

Led by guest conductor Sarah Hicks, with soprano Meredith Wohlgemuth and the Cleveland Orchestra Chorus, and members of the Blossom Festival Chorus under the direction of Lisa Wong, the evening unfolded with easy charm.

Throughout the performance, Hicks proved an ideal guide. Her conducting was clear and unshowy, her rapport with the audience unaffected and delightful.

[Read on…]

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MEMORIAL DAY WEEKEND ALMANAC:

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