by Daniel Hathaway
HAPPENING TODAY:

And tonight at 7:30, the CIM’s Insiders Series presents violinists Olga Dubossarskaya Kaler & Ilya Kaler, violist Lynne Ramsey, cellist Daniel Kaler, cello, and pianist Ilya Itin, in music by Debussy, Brahms, and Ysaÿe in Mixon Hall.
For details of these and other classical events, visit the ClevelandClassical.com Concert Listings.
TODAY’S ALMANAC:
by Mike Telin
Today we remember three composers who took their leave of this world on April 8.

Who doesn’t like a Donizetti aria? One crowd pleaser is “Ah! Mes amis … Pour mon âme” (the one with nine high Cs) from La Fille du Régiment. Click here to witness a rare encore performance at the Metropolitan Opera by tenor Javier Camarena that brings the total count of high Cs to eighteen). Read the New York Times review here.
Another Donizetti aria sure to inspire the crowd is the “Mad Scene” from Lucia di Lammermoor. Natalie Dessay gives a stunning performance here.

In addition to many programmatic pieces for piano, chamber ensembles, and voice, it is his unpublished Sho-jo (1917) — a one-act pantomimic drama based on Japanese themes — that makes him one of the first American composers to draw direct inspiration from Japanese music. Pianist Michael Lewin plays The Pleasure Dome of Kubla Khan here.

Foote was appointed organist of the First Church in Boston (Unitarian) in 1878, a position he held for 32 years. During his tenure he was an editor of Hymns of the Church Universal, published in 1890. He was also a founder of the American Guild of Organists.
Most of his catalogue is chamber music — A Night Piece for flute and string quartet immediately comes to mind (here’s a performance by Joshua Smith and the Cavani Quartet at CIM in 2008). But his Second String Quartet from 1893 is a gem. Listen to a performance by the Da Vinci Quartet here.



