PianoCleveland announces CIPC Finalists

August 2, 2021 by Daniel Hathaway

Following the fourth session of the Semifinal Round at the Cleveland Museum of Art on Sunday afternoon, the jury named the four finalists in the 2021 Cleveland International Piano Competition. They will play chamber music with the Escher String Quartet on Tuesday and Wednesday at the Art Museum and concertos with Jahja Ling and The Cleveland Orchestra on Friday and Saturday at Severance Hall according to the following schedule:

Byeol Kim (Tuesday and Friday)

FRANCK: Piano Quintet in f & TCHAIKOVSKY: Concerto No. 1 in b-flat, Op. 23

Yedam Kim (Tuesday and Friday)

SCHUMANN: Piano Quintet in E-flat, Op. 44 & RACHMANINOFF: Concerto No. 3 in d, Op. 30

Lovre Marušić (Wednesday and Saturday)

SHOSTAKOVICH: Piano Quintet in g, Op. 57 & BEETHOVEN: Concerto No. 4 in G, Op. 58

Martín García García (Wednesday and Saturday)

SHOSTAKOVICH: Piano Quintet in g, Op. 57 & RACHMANINOFF: Concerto No. 3 in d Minor, Op. 30

About Daniel Hathaway

Daniel Hathaway founded ClevelandClassical.com in September, 2008, after a thirty-one year tenure as music director of Cleveland’s Trinity Cathedral, where he founded the Wednesday Noon Brownbag Concert Series and Trinity Chamber Orchestra. A graduate of Harvard College and the Episcopal Divinity School, he also studied historical musicology at Princeton and Harvard Universities. Before coming to Cleveland in 1977, he served as head of humanities at the Sunset Hill School in Kansas City and as head of arts at Groton School in Massachusetts. In Cleveland, he has served on the music staff of Cleveland Opera, Great Lakes Theater Festival, and the faculty of Laurel School. As an organist, Hathaway has played recitals in the U.S., England, France, Germany, and Austria. He team-teaches Music Journalism at Oberlin College and Conservatory and is a member of the Music Critics Association of North America.

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

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“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

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by Stephanie Manning

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The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

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by Daniel Hathaway

This article was originally published on Cleveland.com

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Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

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