by Daniel Hathaway
The audiences for the Concerto Round of the Cleveland International Piano Competition on August 6 and 7 — both in-person and online — were eager to hear the four finalists play, but they were also about to enjoy the extra treat of hearing The Cleveland Orchestra live, back on its home turf, and at full strength for the first time since March of 2020.
That must have been an equally memorable experience for the four finalists whose performances in the earlier rounds won them the opportunity to play concertos with Jahja Ling and the Orchestra — a prize in itself.
Byeol Kim (31, from South Korea) led off on Friday evening with Tchaikovsky’s First Concerto, followed by Yedam Kim (32, also from South Korea), who chose Rachmaninoff No. 3. On Saturday, Lovre Marušić (28, from Croatia) reached back into the Classical period with Beethoven No. 4, and Martín García García (24, from Spain) closed out the competition with another Rachmaninoff No. 3. [Read more…]
Why put international piano competition finalists through a chamber music test between their solo and concerto rounds? Because there’s no better indicator of musicianship than one’s ability to function in a team. And since pianists tend to spend long hours all by themselves in practice rooms, collaborating in chamber music with other musicians is a healthy, socializing activity that can produce wonderful results. (Photo: Yaron Kohlberg welcomes the audience on August 3.)
Following the conclusion of the Semifinal rounds on Sunday afternoon, August 1, Piano Cleveland announced that Byeol Kim (South Korea), Yedam Kim (South Korea), Lovre Marušić (Croatia), and Martín García García (Spain) will advance to the Finals of the 2021 Cleveland International Piano Competition.
Following the fourth session of the Semifinal Round at the Cleveland Museum of Art on Sunday afternoon, the jury named the four finalists in the 2021 Cleveland International Piano Competition. They will play chamber music with the Escher String Quartet on Tuesday and Wednesday at the Art Museum and concertos with Jahja Ling and The Cleveland Orchestra on Friday and Saturday at Severance Hall according to the following schedule:
Given relatively spacious blank canvases to work with, Friday evening’s pianists took different approaches to curating and performing their 40-minute solo programs in the Second Session of the Semifinal Round in Gartner Auditorium at the Cleveland Museum of Art.
Following the Sixth Session of the Second Round on Sunday afternoon, July 25, PianoCleveland announced the names of the eight pianists who will advance to the Semifinals of the 2021 Cleveland International Piano Competition. Having reached this point through videos recorded at locations around the globe, they will now be performing live in Cleveland.
It was a nice change of pace when Zhi Chao Juli Jia (29, China) opened her second round program with Rameau’s Les Tendres Plaintes. Her lovely performance of the short work was light and full of sensitive ornamentation. The pianist brought clean scales and articulations along with dynamic contrasts and well-shaped phrases to Beethoven’s Sonata No. 18 in E-flat, Op. 31, No. 3. The recurring theme in the scherzo was playful and the Menuetto graceful — the concluding Presto full of fire.
Lucas Thomazinho (25, Brazil) began the second session of the first round with Czerny’s Variations on a Theme by Rode, Op. 33 (“La Ricordanza”), where he impressed with beautiful dynamic contrasts. He played with a fluidity that served him well over the five variations, shifting gracefully between the gentler moments to quick and light passages.