Allan Miller Archives - Cleveland Classical

Cleveland Film Festival to stream Allan Miller’s Jeannette Sorrell documentary

April 21, 2020 by Daniel Hathaway

by Daniel Hathaway

Playing With Fire, Allan Miller’s 70-minute documentary about Apollo’s Fire artistic director Jeannette Sorrell that made its debut in New York last October, will be streamed through April 28 by the Cleveland International Film Festival — which has now moved online. Click here to watch a trailer.

The film follows Sorrell as she rehearses and performs with her Baroque orchestra in Cleveland and at Tanglewood, as she works with the conducting class at the Aspen Festival, and as she prepares for a Messiah performance with the St. Paul Chamber Orchestra in Minnesota. Testaments to her leadership by a number of her musicians are seeded through the narrative.

Miller, who has received Academy Awards for his documentaries about Isaac Stern (From Mao to Mozart) and Zubin Mehta (The Bolero), and has filmed the musical activities of Kurt Masur and Valery Gergiev, was inspired to follow Sorrell around after hearing a New York performance by Apollo’s Fire. The conductor and harpsichordist told me about that encounter in a recent Skype conversation. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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