by Daniel Hathaway

Johann Sebastian Bach has to be one of the most frequently arranged composers of all time, and we have yet to meet a rescoring of his music that didn’t work at least on some level. But taking a piece originally scored for two-manual harpsichord and reworking it for violin, viola and cello would seem to be a real stretch.
In keeping with ChamberFest’s obsession with the number three during its third season, there were that many reasons why this arrangement worked on Saturday. [Read more…]




