by Daniel Hathaway
When you’re in your mid-eighties, it’s good to stimulate your grey matter by taking up something new. This year, the 85th Baldwin Wallace Bach Festival will make a little detour from its normal four-year cycle of performing Johann Sebastian Bach’s B-minor Mass, the two Passions, and the Christmas Oratorio.
On the weekend of April 7-8, the Festival will focus on the theme of how Bach’s music inspired Johannes Brahms, and the featured choral work will be the German Requiem. Pianists Pierre and Sophié van der Westhuizen, who perform as the Westhuizen Duo, will also play a central role in this year’s Festival.
In a conference call with Festival director Dirk Garner and Pierre van der Westhuizen, Garner was quick to assure Bach Festival regulars that this year’s departure from the norm is a special case. [Read more…]
1935, 1936, 1940, 1946, 1947, 1951, 1955, 1959, 1963, 1967, 1971, 1975, 1979, 1983, 1985, 1989, 1993, 1997, 2001, 2005, 2007, 2011 — and now 2015. Those are the 23 years in which the 83-year-old Baldwin Wallace Bach Festival has featured Johann Sebastian Bach’s “Great Catholic Mass,” as his sons described it. That makes it a tradition, for sure, but Dirk Garner’s concept in his first year as the festival’s new artistic director was notable for its infusion of new energy and vitality into a work that needs a regular shaking-out in order to remain fresh. 
Italian organist and scholar Edoardo Bellotti, a faculty member at the Eastman School of Music in Rochester, New York, played a highly musical and satisfying concert on Saturday afternoon as part of the 83rd BW Bach Festival in Berea. He performed on the 1974 Rudolf Janke organ at the United Methodist Church of Berea. The north German character of the organ fit Bellotti’s program. Bellotti is also a noted improvisor, and at the end of the concert he created two excellent examples of his skills, both in Baroque style. 
A new era began this weekend for the revered Baldwin Wallace Bach Festival, now in its 83rd season, with a new artistic director, Dirk Garner, and orchestral conductor Octavio Más-Arocas. In any such transition the new regime has the opportunity to assess tradition and determine the direction forward. If the first concert of the 2015 festival on Friday, April 17, in BW’s Gamble Auditorium, is any indication, the organization is in good hands, with a vivid sense of imagination and purpose, yet not losing track of the past. 
