by Daniel Hathaway

The centerpiece of the afternoon was Beethoven’s “Waldstein” Sonata, op. 53, which Oltmanns prefaced with the intelligence that the sonata’s earlier nickname was L’Aurore (Dawn) and with the caveat that this would, at 25 minutes, be the most demanding listening assignment of the afternoon. She dispatched the work with a refreshing straightforwardness and relaxed tempos which allowed the music to breathe in places where other pianists press nervously ahead. The final prestos gained extra character from that approach.



