by Jarrett Hoffman
As the classical music community knows, wind instruments have been fairly quiet over the past year. But knowing is different from feeling, and a pre-recorded concert by the Black Squirrel Winds on Sunday, April 11 turned out to be even more welcome than expected. Not only was it a rare showcase these days of the beautiful, colorful combination of sounds that make up the wind quintet, but it was played in an impressive fashion that’s far less common than a black squirrel sighting in Kent.
Although black squirrels can be spotted around Northeast Ohio, they are prolific in the city of Kent. “At our first rehearsal we talked about choosing a name for the group, so we threw out some ideas,” bassoonist Mark DeMio recalled during a recent telephone conversation. “Our horn player said that since there were so many black squirrels in the area he always liked the idea of playing in a group called the black squirrel — something. And that’s how we became the Black Squirrel Winds.” 
Music From The Western Reserve concerts always fall on Sunday, even as streams. December 13 was therefore as close to Beethoven’s likely birthdate on the 16th as the presenters could come to throwing a virtual party. Debuting their stream before that occasion made little difference in the concert’s power: over a week later, pianist Daniel Shapiro’s stunning interpretations remained lodged in this reviewer’s mind. As social media lit up with tributes and music-lovers around the world raised a glass, Shapiro’s MFTWR video remains on YouTube, where those interested can still listen and learn what it means to truly engage with Beethoven.
You don’t need a deerstalker hat and a pipe to make some interesting observations about Sunday’s program from Music From The Western Reserve, which airs 
Any classical musician can play familiar favorites or venture into best-kept secrets, but some instrumentalists are predisposed to a healthy mix. Classical guitarists, with their ability to transcribe almost anything, often highlight famous names while also drawing from a canon dominated by 20th-century Spanish and Latin American composers. They also play new music. Last weekend, Colin Davin converted the sunset light of an autumnal early evening into music with a well-curated program that included all of the above.
This weekend gives concertgoers the chance to hear one guitarist from France who will be making his Cleveland debut, and another from Bay Village who in the past several years, as he told me over the phone, has been re-solidifying his identity as a Clevelander.
For 36 seasons,