by Peter Feher
A bit of jazz, and even some rock crept onto saxophonist Gabriel Piqué’s program at Christ Church Episcopal in Hudson on October 31. Although he stuck to mostly classical repertoire in his Music From The Western Reserve recital, those occasional flashes of other genres didn’t seem out of place.
It was all part of a virtuosic whole, and the technical skills at work in one style — flying fingers, a carefully crafted sound — translated to every other genre.
by Mike Telin
It’s always interesting to hear how musicians come to choose their instruments. Some want to follow in the footsteps of a family member, while others prefer to chart their own path. “What drew me to the saxophone to begin with was my grandma,” Gabriel Piqué said during a recent telephone conversation. “It’s something you never want to hear your grandma say, but I brought one home and she said ‘Gabe, that instrument is sexy.’ I think I was in the 6th grade, and that’s when I decided that I didn’t want to play clarinet or flute, I wanted to play the saxophone.”
On Sunday, October 31 at 5:00 pm at Christ Episcopal Church in Hudson, Gabriel Piqué and pianist Casey Dierlam Tse will perform a diverse selection of works as part of the Music From The Western Reserve series. Tickets are available online.
Piqué, who is the Assistant Professor of Saxophone and Jazz Studies at Baldwin Wallace Conservatory, will begin his program with Fernande Decruck’s Sonata in c-sharp.
“Decruck is probably best known in the saxophone community and this is her most famous piece,” Piqué said. “I played it on my masters’ recital and the piece provided a transformational moment for me. When I was an undergrad I was primarily a button pusher — a technician if you will. I had great technique but didn’t understand what music was about. My teacher at Eastman was the one who said, ‘You have emotions — you should try them.’ He was rather blunt. But this piece is the perfect vehicle for that. It doesn’t work if you’re not in-tune with your emotions.”