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Cleveland Chamber Choir: “Little Match Girl Passion”

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by Mike Telin

Cleveland Chamber Choir will present a program centered around David Lang’s Little Match Girl Passion on December 20 and 21 at the Cleveland School of the Arts. Artistic Director Gregory Ristow has curated a playlist of Christmas music to precede Lang’s piece — a modern day retelling of the 1845 Hans Christian Andersen story influenced by J.S. Bach’s St. Matthew Passion — and followed by his own arrangement of Good King Wenceslas, the classic Christmas Carol about supporting those in need.

In a recent interview Ristow said, “The Little Match Girl Passion has become a piece that’s performed a lot around the holidays — a time that a lot of us take a moment to stop and think about people who are in need and our and society’s role in supporting them.” The concerts are presented in partnership with Northeast Ohio Food Bank. Register for free tickets for the 7:30 pm performances here.

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“Meditations and Mysticism” opens Cleveland Chamber Choir season (Oct. 26)

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by Kevin McLaughlin

It somehow seemed wrong to clap and cheer at the end of Cleveland Chamber Choir’s “Meditations and Mysticism” program on October 26. Less a concert than an administering of musical healing, the event left us feeling more like sitting quietly and sipping measured breaths to prolong our newfound tranquil state.

In a program of ten carefully conceived and sequenced musical episodes, artistic director Gregory Ristow brought a politically weary crowd some much-needed spiritual succor and peace through music. [Read more…]

Cleveland Chamber Choir begins 10th season with “Meditations and Mysticism”

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by Mike Telin

In a recent Zoom conversation, Gregory Ristow said, “We talk so much about how music heals. And that idea provided me with threads into how composers engaged with the notion of music as a centering device — as a way of finding one’s own place in the world or observing the broader context of the world beyond oneself.”

On Saturday, October 26 at 7:00 pm at Trinity Cathedral, Ristow will lead the Cleveland Chamber Choir in “Meditations and Mysticism.” The program celebrates the healing power of music. The concert, presented in partnership with the award-winning mental health program, Ghetto Therapy, will launch the ensemble’s tenth anniversary season.

The program will be repeated on Sunday at 4:00 pm at First Lutheran Church in Lorain. Oberlin College & Conservatory Professor Charles Edward McGuire will present a pre-concert talk 45 minutes prior to each performance. Click here to register for a “pay what you will” ticket.

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Fall Preview: Anniversaries & New Beginnings

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by Daniel Hathaway

While compiling our master calendar for 2024-2025, we noted some milestones to celebrate among Northeast Ohio’s musical organizations and at least one new arrival on the scene to mention.

The Cleveland Women’s Orchestra (pictured in 1938) begins its 90th season this year, with a November concert at the Maltz Performing Arts Center, a holiday concert at Judson Manor in December, and an anniversary performance at Severance Music Center in March.

For its 75th season, Cleveland Chamber Music Society will host only six ensembles at Disciples Church rather than the usual seven, but No. 6, the Jerusalem Quartet, will perform all 15 of Dmitri Shostakovich’s string quartets in five April concerts at the Cleveland Museum of Art. CCMS’s season begins with Chanticleer on September 24 and includes concerts by the Imani Winds with pianist Michelle Cann, Cuarteto Casals, flutist Emmanuel Pahud with pianist Alessio Bax, and the Chamber Music Society of Lincoln Center. [Read more…]

Cleveland Chamber Choir sparkles in “Choral Splendor: Old and New” (Mar. 2)

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by Kevin McLaughlin

Composers are always looking back to their elders — and whether out of deference, anxiety, homage, or a desire to understand, it is right and good to admit your debt to the past.

Several contemporary composers (Claudia Hinsdale, Jeff Scott, Joshua Estok, Andrew Rindfleisch, and Caroline Shaw) honored old masters — and did themselves honor in return — in a satisfying program of pairings on Saturday, March 2, at the First Lutheran Church of Lorain. Artistic director Gregory Ristow and the exceptional voices of the Cleveland Chamber Choir were their co-travelers in time.

As one of the earliest examples of a composer referencing an older style, Crucifixum in carne (probably by Medieval composer Pérotin, looking back at the anonymous original) served as an appropriate introduction. Here, the old was intertwined with the new as an elongated cantus firmus undergirded fancy new polyphony. Sung by thirteen unaccompanied male voices led by assistant conductor Peter Wright, the piece resonated warmly in the sanctuary.

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Cleveland Chamber Choir — “Choral Splendor: Old and New”

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by Mike Telin

“On some level, all music is in dialogue with the art that came before it,” Cleveland Chamber Choir artistic director Greg Ristow writes in his artistic statement for the ensemble’s upcoming program. “But, when a composer pays direct homage to an older piece, it creates a loop that draws these works together in a conversation that’s possible only in non-linear time, and that reflects our own experience as listeners hearing music of many eras in the context of our modern times.”

On Saturday, March 2 at 7:00 pm in First Lutheran Church of Lorain and on Sunday, March 3 at 4:00 pm at St. Paul’s Episcopal Church in Cleveland Heights, Ristow will lead the ensemble in “Choral Splendor: Old and New.”

The program creates six “time loops” of older pieces and newer responses performed side by side: Gregorio Allegri’s Miserere mei, Deus will be paired with Claudia Hinsdale’s Joy: A Variation on Allegri’s Miserere, Sebastien de Vivanco’s In Manus Tuas with Andrew Rindfleisch’s In Manus Tuas: A Parody Motet, and Dietrich Buxtehude’s “Ad manus” from 
Membra Jesu Nostri with Caroline Shaw’s To the Hands.

[Read more…]

Cleveland Chamber Choir: “Holidays from the Iberian Peninsula” (Dec. 16)

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by Kevin McLaughlin

A gorgeous and frequently surprising offering of Christmas and Hanukkah music from Renaissance Spain and Portugal was the focus of Cleveland Chamber Choir’s program “Holidays from the Iberian Peninsula” on Saturday, December 16 in First Baptist Church of Greater Cleveland.

Voices and instruments resonated in this grand space without losing focus. For people who wonder why the Renaissance cultivated an unadorned vocal style that did not favor thick vibrato, this concert offered an explanation: the music of the era was conceived for spaces like this one, where voices resound naturally, and words come through clearly. Under the direction of Artistic Director Gregory Ristow, tempos took on a certain speech-like freedom that gave rightful primacy to the words. The projection and translation of texts above the stage also helped to convey meaning.

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Cleveland Chamber Choir: 
“Holidays from the Iberian Peninsula”

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by Mike Telin

“I can’t count the number of holiday programs I have conducted in my life,” Greg Ristow said during a telephone conversation. “But I think I’m more excited about this one than any I’ve ever conducted because the music is all so fun — there’s no other way to put it.”

On Friday, December 15 at 8:00 pm in Oberlin’s Fairchild Chapel, Ristow will lead the Cleveland Chamber Choir in “Holidays from the Iberian Peninsula.” The program includes works by Tomás Luis de Victoria, Matteo Flecha el Viejo, Vicente Lusitano, and Salamone Rossi, as well as music from the Sephardic Jewish tradition. The free program will be repeated on Saturday the 16th at 7:00 pm at First Baptist Church of Greater Cleveland.

While the concert will feature many audience favorites, Ristow noted that it also includes a number of long-hidden gems, including Flecha’s La Bomba, which opens the program. “He wrote in a genre we call ensalada, the Spanish word for salad, because it is as if you take snippets of madrigals, snippets of church polyphony, and snippets of Renaissance dance, and put them all together in a giant salad bowl and shake them up. And the result is this delightful, constantly changing mix of styles.”

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Cleveland Chamber Choir & Lakewood High singers: Considering Matthew Shepard at Trinity Cathedral (Oct. 22)

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by Daniel Hathaway

Young Matthew Shepard’s iconic suffering and death in Wyoming 25 years ago have inspired a number of social, political, and artistic initiatives, including Craig Hella Johnson’s “passion oratorio” Considering Matthew Shepard, which was first performed in 2016.

In 2023, some 40 organizations will have performed the nearly two-hour work, among them Gregory Ristow’s Cleveland Chamber Choir, who were joined by the Lakewood High School Symphonic Mixed Choir and an instrumental ensemble from the Local 4 Music Fund in an affecting Sunday afternoon concert at Trinity Cathedral on October 22. (An earlier performance was given the day before in Avon Lake).

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Cleveland Chamber Choir: Considering Matthew Shepard

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by Mike Telin

Statement from President Joe Biden on the 25th Anniversary of the Tragic Death of Matthew Shepard:

October 12, 2023

Twenty-five years ago today, Matthew Shepard lost his life to a brutal act of hate and violence that shocked our nation and the world. The week prior, Matthew had been viciously attacked in a horrific anti-gay hate crime and left to die – simply for being himself.

Matthew’s tragic and senseless murder shook the conscience of the American people. And his courageous parents, Judy and Dennis Shepard, turned Matthew’s memory into a movement, galvanizing millions of people to combat the scourge of anti-LGBTQI+ hate and violence in America.

On October 6, 1998 Matthew Shepard, a gay student at the University of Wyoming, accepted a ride home from two men at the Fireside Lounge in Laramie. Instead, Shepard was driven to a remote area where he was pistol-whipped, tortured, tied to a fence, and left for dead. Shepard died six days later from brain damage.

Shepard’s murder would later become the inspiration for Craig Hella Johnson’s fusion oratorio Considering Matthew Shepard.

[Read more…]

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