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Preview: Pianist Martina Filjak returns to Northeast Ohio to play with the Akron Symphony on October 26

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by Mike Telin

FILJAK-Martina-Green“A return performance is always special,” Croatian pianist Martina Filjak told us by telephone from Colorado Springs. “It was a very good concert and I have to say, the people in Akron are not only good musicians but they are also really nice. We left things on a very positive note and that is why this return is so special.”

The concert Filjak is referring to was her 2011 performance of Rachmaninoff’s second concerto with the Akron Symphony. In her review for this publication Elizabeth Kalanja wrote “What Filjak pulled from the keys was a sensual performance and her stage presence was mesmerizing… The orchestra and Filjak connected in a way that made it seem as if they always performed together and their joint effort resulted in an inspiring performance…”

On Saturday, October 26 at 8:00 pm, Martina Filjak returns to the Thomas Hall stage for a performance of Tchaikovsky’s Piano Concerto No. 1 with the Akron Symphony under the direction of Christopher Wilkins. The concert also includes the Sibelius tone poems Finlandia and The Swan of Tuonela (featuring Cynthia Warren, English horn) and his Symphony no. 7.

Since winning first prize at the 2009 Cleveland International Piano Competition (CIPC) Martina Filjak has developed a very busy international career. [Read more…]

Review: Cleveland International Piano Competition — Final rounds with The Cleveland Orchestra (August 9 & 10)

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by Daniel Hathaway

CIPC-Severance-SteinwayRoger Mastroianni’s photo captured the mood of expectation as the final four pianists in the Cleveland International Piano Competition waited their turns to perform concertos with Stefan Sanderling and The Cleveland Orchestra at Severance Hall on Friday and Saturday evenings — the last stop on the way to the top.

Two of the contestants chose Tchaikovsky’s first concerto, performances which were wisely distributed between the two evenings. François Dumont was up first on Friday, Jiayan Sun first on Saturday, and if cataloging the differences between their interpretations didn’t amount to comparing apples to oranges, it was at least an exercise in distinguishing between McIntoshes and Galas. Both performers brought abundant technique, fine musicianship and a clear game plan to their tasks. Choosing between them was a matter of taste, and a task we were happy to leave to the jury.

[Read more…]

Review: Cleveland International Piano Competition — Award Ceremony and Medalist Recital (August 11)

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by Guytano Parks

CIPC-Medalists-081013“Everything must gel at that one moment…a culmination and balance of mind, heart and soul.” That bit of wisdom was shared by HaeSun Paik of Korea, one of the jurors of the Cleveland International Piano Competition during the Jury Roundtable Festival Conversation on August 5. All twenty-eight of the extremely talented contestants certainly had their moments, but several stood out from the rest and they were recognized and rewarded for their outstanding performances in the 2013 CIPC on Sunday, August 11 during the Awards Ceremony at Severance Hall.

Serving as host for the event was WCLV’s program director Bill O’Connell who welcomed, greeted and thanked all forces involved in making the 2013 CIPC a splendid and exciting success, in addition to remarks by Piano International Association of Northern Ohio president Teresa Good and Pierre van der Westhuizen, Executive Director of CIPC. Generous individuals and foundations provided special cash awards which ranged from $1,500 to $2,500 and presented them to the pianists who were all present except for one. [Read more…]

CIPC: A video interview with finalist Arseny Tarasevich-Nikolaev

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Mike Telin speaks with Cleveland International Piano Competition finalist Arseny Tarasevich-Nikolaev the day after he played Rachmaninoff’s Second Piano Concerto at Severance Hall with The Cleveland Orchestra under Stefan Sanderling (August 10, 2013).

[youtube=http://youtu.be/vC_GRe8jFiw]

Preview: An interview with Cleveland International Piano Competition finalists Jiayan Sun and Stanislav Khristenko

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by Mike Telin

Jiayan-StanislavWhile waiting to meet with conductor Stefan Sanderling on Thursday to discuss their Saturday evening concertos with The Cleveland Orchestra, finalists Jiayan Sun (23, China) and Stanislav Khristenko (29, Russia) spoke with ClevelandClassical about their experiences with the Cleveland International Piano Competition until now and about the pieces they chose for their final round performances.

Stanislav earned his artist diploma from the Cleveland Institute of Music, while Jiayan did his professional training at the Juilliard School. Like the two finalists we interviewed earlier, Jiayan and Stanislav conversed with each other like friends who hadn’t spoken in a long time. They have some things in common — both live in New York, and both happened to choose the Schumann C Major Fantasie for their semi-final round program (just as our two earlier finalists both chose Ravel’s Gaspard de la Nuit.) They also agree that CIPC’s policy of allowing every contestant to play two rounds is one of the greatest virtues of this competition, but that waiting to hear from the jury can be nerve-wracking. [Read more…]

Preview: An interview with Cleveland International Piano Competition finalists François Dumont and Arseny Tarasevich-Nikolaev

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by Mike Telin

Francois-ArsenyClevelandClassical had the opportunity to interview all four CIPC finalists in pairs on Thursday in Reinberger Chamber Hall at Severance Hall before the final rounds on Friday and Saturday. We talked first with 28-year-old François Dumont from France and 20-year-old Arseny Tarasevich-Nikolaev from Russia. Though they had never met before coming to Cleveland, they sounded like long-time friends during our wide-ranging conversation that covered such topics as family background, how they decided on careers in music, their concerto choices and experiences during the Cleveland Competition and where they’re headed next. And of course we talked about food — always a prime topic among musicians.

Both pianists encountered music at an early age. “I don’t come from a musical family,” François noted, “but they always loved music and brought me to concerts and there was always a lot of classical music in the house.” Arseny, on the other hand, has some distinguished performers in his family tree. “We always had a lot of recordings in the house so I listened to them since I was two years old and I just loved it,” he told us. “So around four years old my mom started to teach me in a playful way.” [Read more…]

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