by Daniel Hathaway
This article was originally published on Cleveland.com
CLEVELAND, Ohio — Anyone who believes that tired old canard that classical music is dead or dying needed to hear conductor Daniel Reith and the Cleveland Orchestra Youth Orchestra play music by Lily Boulanger, Aaron Copland, and Sergei Rachmaninoff in their Autumn Concert at Severance Music Center on Sunday afternoon, November 24.
That challenging program tested COYO’s musicianship. Not only does it run deep, but it’s so sophisticated that the young players can make Boulanger sound French, Copland American, and Rachmaninoff Russian.
Boulanger’s D’un Matin de Printemps was light and airy, conjuring up in its five minutes a Gallic Spring morning with lovely solos by concertmaster Aika Birch and individual winds. Surges suggested the burgeoning surprises nature still had in store.
“The first time I heard the Fauré 
What are the duties of an assistant conductor of a major orchestra? “Every day is an experience,” Daniel Reith said during a recent telephone conversation. Since assuming that position with The Cleveland Orchestra this season, Reith has had a lot on his plate. In addition to his involvement with numerous educational activities, he has led the Orchestra’s family concerts and the annual Martin Luther King Jr. Celebration Concert. Earlier this month he stepped in on very short notice for an ailing Klaus Mäkelä to lead three subscription concert performances.
An immigrant mother, struggling with her sense of identity, makes a plea to her new homeland in the hopes that her newborn daughter will have an easier time navigating it. This sentiment, presented in musical form, was especially fitting for a concert on Mother’s Day — not to mention one with a high percentage of mothers in the audience.
When Moonhee Kim’s violin teacher said he wanted her to learn the Prokofiev Violin Concerto, she was hoping he would say the second one. Of the composer’s two concerti for the instrument, No. 2 is more commonly performed, and it was the one Kim was most familiar with. But Concerto No. 1 was what he had in mind — and as it turns out, that was the perfect choice.