ClevelandClassical.com Young Writer Fellow Archives

Oberlin student Neil McCalmont named 2016 Young Writer Fellow for ClevelandClassical.com

May 17, 2016 by Daniel Hathaway

by Staff

ClevelandClassical is pleased to announce that New Hampshire native Neil McCalmont has been named the 2016 ClevelandClassical.com Young Writer Fellow. The two-month summer fellowship is designed for aspiring writers who wish to hone their skills and prepare for careers on the new frontiers of musical journalism.

McCalmont is completing his second year at Oberlin where he is a double degree student majoring in Classics and Musical Studies with a focus on Greek and Latin literature and Wagnerian opera. “I am incredibly grateful for this opportunity,” he said. “As an aspiring music writer, I will gain great journalistic experience through this fellowship by writing reviews and previews, and conducting interviews with artists.” [Read more…]

Jeremy Reynolds named Young Writer Fellow

June 9, 2015 by Daniel Hathaway

Jeremy Reynolds is serving as ClevelandClassical.com’s 2015 Young Writer Fellow during the month of June. He recently completed his Bachelor of Arts in English Literature and Bachelor of Music in Clarinet Performance at Oberlin College and Conservatory. During his senior year, Reynolds was accepted to the Pi Kappa Lambda and Golden Key national honor societies. After editing the arts section of the Oberlin Review during the Fall of 2014, Reynolds became a staff writer for the Spring of 2015. He will enter the Goldring Arts Journalist Program at Syracuse University beginning in July. After receiving his master’s degree, Reynolds hopes to build a career writing about music.

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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