by Kevin McLaughlin

The program, presented by the Cleveland Chamber Music Society, included highlights of 20th-century Russian cello repertoire — sonatas of Shostakovich, Kabalevsky, and Rachmaninoff, plus one unsung gem by the cellist’s grandfather. Mstislav Rostropovich — the late-great cellist-progenitor for a large swath of modern cello works, including the Kabalevsky — seemed to hover as inspiration and patron saint.
Isserlis, who adopts the posture and breathing habits of a singer, produced a voluptuous tone, a range of colors, and a princely demeanor from the start. Shih was the ideal collaborator, an eloquent and graceful player in her own right, with a massive technique.



