Daniill Trifonov Archives - Cleveland Classical

The Cleveland Orchestra at Blossom: Rachmaninoff & Adams (Aug. 13)

August 31, 2022 by Peter Feher

by Peter Feher

The August 13 program at Blossom Music Center was a grand finale in all but name. The Cleveland Orchestra played the last classical concert of its summer season there (the group would save a couple of preview performances for Severance later in the month, ahead of setting out on its 2022 European tour), and the repertoire was exceptional and expansive to match the occasion.

Now, both pieces on Saturday might be called one thing, but they really sound like another. “Symphony” is a title that would fit Sergei Rachmaninoff’s Piano Concerto No. 2, as well as John Adams’ modern masterpiece for orchestra, Harmonielehre. [Read more…]

Pianist Daniil Trifonov to make Severance Hall debut with The Cleveland Orchestra

March 18, 2015 by Daniel Hathaway

by Mike Telin

“I’m really excited to be back in Cleveland this weekend. It is an honor, and a very important step in my career to be making my Severance Hall debut with The Cleveland Orchestra,” pianist Daniil Trifonov said during a telephone conversation. “Of course I’ve been to Severance Hall on numerous occasions to hear concerts as a listener, but this is a dream that is finally coming true.”

On Thursday, March 19 at 7:30, Daniil Trifionov will perform Shostakovich’s Piano Concerto No. 1 for piano, trumpet, and orchestra, featuring TCO’s principal trumpet, Michael Sachs, under the direction of Jahja Ling. The all-Russian program will also include Rachmaninoff’s Symphony No. 2. Additional performances will take place on Saturday at 8:00pm and Sunday afternoon at 3:00.

When we spoke on Wednesday morning, Trifonov had only arrived back in Cleveland the evening before. Earlier in the month, the pianist was recording a new CD to be released later this year. Last Friday, he performed a sold-out recital for Boston’s Celebrity Series. I began our conversation by asking him to say a few words about the Shostakovich concerto. [Read more…]

BlueWater Chamber Orchestra crosses the pond without ever leaving Cleveland (Nov. 23)

By Peter Feher

On Saturday, Nov. 23 at University Circle’s Church of the Covenant, the outstanding BlueWater Chamber Orchestra transported listeners across the Atlantic with a pleasantly English program of Gerald Finzi, Ralph Vaughan Williams, and Franz Joseph Haydn. Artistic director Daniel Meyer described his affinity for this repertoire — and explained how Haydn happens to qualify as an “honorary Englishman” — in several amiable asides throughout the evening.

Yet the focus of this concert was undoubtedly on the exceptional caliber of musician that one can find right here in Cleveland.

Violinist James Thompson — a Northeast Ohio native, graduate of the Cleveland Institute of Music, member of the Chamber Music Society of Lincoln Center, as well as BlueWater’s guest concertmaster this season — was the star of the night. He soared while soloing in Vaughan Williams’ The Lark Ascending, that sentimental favorite that somehow never loses its shine.

[Read on…]

Tuesday Musical: Joyce DiDonato and Kings Return (Dec. 3)

By Peter Feher

Mariah Carey may be pop music’s undisputed “Queen of Christmas.” But among classical singers, the title has yet to be taken, and this year, superstar mezzo-soprano Joyce DiDonato is vying for the crown.

As far as royalty is concerned, DiDonato has a distinct advantage. This isn’t to imply any sort of better-than-thou diva demeanor, which she’s conspicuously avoided cultivating over the course of a 25-year opera career. Offstage, whether she’s coaching a master class or sharing a bit of herself on social media, DiDonato is known for her openhearted, inviting manner.

[Read on…]

Les Délices visits 14th Century Avant-garde at Pivot Center (Nov. 24)

by Daniel Hathaway

As the historian Barbara Tuchman revealed in her book A Distant Mirror, the 14th century in Europe was both eventful and full of contradictions.

On the traumatic side, the Great Famine and the bubonic plague claimed a great swath of the population, the Hundred Years’ War raged, and the papacy moved from Rome to Avignon in France, marking the beginning of the decline in influence of the Catholic Church.

On the positive side came the flowering of experiments in music, a subject that Debra Nagy and her Les Délices colleagues charmingly explored in their “14th Century Avant-garde” program on Saturday, November 23 at the Pivot Center on Cleveland’s West Side, a converted 1919 building once used for making ships’ sails and awnings. [Read on…]

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